1) Interpretation of implicit richness in expression
2) spirit [英]['spɪrɪt] [美]['spɪrɪt]
This paper discusses the line drawing art in traditional Chinese painting from two aspects: lively spirit and personality training, so as to reunderstand the essence of traditional aesthetic perspective.
It advises that mountains - and - waters painting should express Tao and the lifelike spirit of nature.
In drawing theories of all previous dynasties,traditional Chinese painting concerning spirit has drawn a considerable discussion.
3) style [英][staɪl] [美][staɪl]
The disposition of heart and soul mentioned in Zhouyi constantly accommodates with Chinese Calligraphy which possesses a natural homomorphism,namely,going all lengths at full length with circumference and coherence in a unified entity which embodies the beauty of style in circulating veins of interlocks.
中国书法用笔的无垂不缩、无往不收 ,笔势的一笔环转、血脉相属 ,结字的上皆覆下、下以承上等 ,无不体现出气韵流转、血脉相连的圆通之美。
4) character [英]['kærəktə(r)] [美]['kærəktɚ]
His classic elegance and detached character pushes Chinese painting in the late Ming Dynasty to "brush and ink" and ever after.
The creation and images in calligraphy is often expressed by the words and expressions, such as "momentum" or "character".
He laid emphasis on "a true-to-life depiction", which consists in answering the source of artistic creation correctly, laying stress on "character", rising to the lifelike level; setting off the objects described intentionally in his poems.
The Great Importance and Signficance of Qiyun in Chinese Treditional Picture;