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1)  Fu Studies Criticism in the Zhengshi Period
正始赋学批评
2)  Fu criticism
赋学批评
1.
the core of the Fu criticism of Lu ji and Lu Yun,which are influenced by Xuan(玄).
西晋是赋学批评史上一个重要的时期。
2.
According to the theory of Fu criticism, Fu mainly reflects Confucianism and Metaphysics.
在赋学批评的理论形态上,则展现出儒学与玄学杂糅并存的色彩。
3.
There were ten chief writers,among whon Cao Pi and Cao Zhi also made great contribution to Fu criticism.
建安文学创作的主体是三曹七子 ,在赋学批评方面作出重大贡献的则是曹丕、曹植。
3)  On Xie Linyun s Criticism about FU
谢灵运的赋学批评
4)  Wang Zhiji's Criticism of Fu
王之绩的赋学批评
5)  criticism on orthodox school and variation
正变批评
1.
The criticism on orthodox school and variation of Chinese ancient poetry has gone through five stages:the pre-Tang Dynasty,the producing and beginning stage,the Tang and Song Dynasty,the lying low and expanding stage,the Yuan Dynasty,the changing and rising stage,the Ming Dynasty,the flourishing and deepening stage,and the Qing Dynasty,the deepening and dispelling stage.
我国古典诗学中的正变批评经历了五个发展阶段,可概括为:唐前:古典诗学正变批评萌生与起点确立;唐宋:古典诗学正变批评潜伏流贯与展开;元代:古典诗学正变批评着力点转变与称名出现;明代:古典诗学正变批评盛兴与诗体正变辨析深入;清代:古典诗学正变批评深化与得到消解。
6)  criticism on literature
文学批评批
补充资料:正始
1.正其始。 2.合乎礼仪﹑法则之始。 3.三国魏齐王芳的年号。当时玄风渐兴,士大夫唯老庄是宗,竞尚清谈,世称"正始之风"。当时诗人嵇康﹑阮籍等的诗﹐称为"正始体"。
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