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1)  chu bi
触笔
1.
There are quite a lot chu bi existing in Wang Xizhi’s calligraphy works, which were seldom mentioned or studied in the writing style studying history.
王羲之书法作品中有大量的触笔存在,这种笔法在历史上很少有人提及,也很少有人进行研究。
2)  stroke [英][strəʊk]  [美][strok]
笔触
1.
Remark on the Characteristic of Stroke in Modern Oil Painting;
浅论现代油画笔触的特性
2.
A general model of brush strokes with representative key attributes-startpoint, RGB and Alpha values, size, orientation, and appearance is firstset up.
从分析印象主义绘画风格作品入手 ,采用混合笔触设计和立体笔触方法 ,并实现了一个基于图像的印象派自动绘画的笔触系
3.
Because of the wide coverage of the two words, "brushwork" and "stroke", this essay firstly focuses on the direction of what is studied here, thus "brushwork" is defined as the brushwork of traditional Chinese calligraphy and painting, and "stroke" is defined as the stroke of oil painting.
本文首先对“笔法”与“笔触”的对比借鉴范围作了界定,对中国书法绘画“笔法”与油画“笔触”产生的文化历史,工具,等方面做了对比。
3)  brushwork [英]['brʌʃwɜ:k]  [美]['brʌʃ'wɝk]
笔触
1.
From the comparison of brushwork in ZHAO Wu-ji and Kandinsky s abstract canvases,the writer analyzes the difference of their brushwork selection and exertion,and then makes further explanation of their idea of Art.
通过对赵无极与康丁斯基抽象油画作品中笔触的比较,分析二者笔触选取与运用之间存在的差异及其原因,进而达到对二者艺术观念的阐释。
2.
The individualized language is the reflection of an artist on the rhythm formation of shape,color and lines of a whole picture,the consideration on the disposal of picture’s space and the thought about every color,brushwork and texture.
文章对油画个人风格语言进行了思考,从绘画语言的造型、色彩、笔触等表现手法方面分析了油画个性化语言的形成。
3.
In his own artistic style, the brushwork and color is very characteristic.
在他的艺术风格中,笔者认为其笔触与色彩极具特色,给我们展示出一种新的绘画观念。
4)  strokes [英][strəuk]  [美][strok]
笔触
1.
Based on the thinking habits and working situations of industrial designers,this paper prosewted a novel method for preprocessing on-line freehand concept sketches,especially line drawing strokes during the conceptual design stage.
结合工业设计师个人的构思和工作习惯,提出一套针对产品概念设计在线草图笔触识别与规整方法。
5)  Style of Drawing
笔触
1.
Style of Drawing in Oil Painting;
论笔触在油画作品中的作用
6)  the brush stroke
笔触
1.
The application of the brush stroke in Chinese calligraphy is of common occurrence in the design of modern Chinese character symbol, The article mainly discusses the possibility of better use of Chinese calligraphy brush stroke in the design of modern Chinese characters symbol.
现代汉字标志设计中书法笔触的应用屡见不鲜,文章从汉字书法和笔触的角度,分析中国各种书法字体和笔触的特点,探讨了这些设计元素在汉字标志设计中被更好地应用的可能。
2.
The thesis mainly explored the brush stroke modality in the Western Painting.
本文是关于西方绘画笔触形态的研究,试图通过对笔触概念的重认识和对西方绘画笔触形态发展历史的重梳理,来揭示笔触内在结构即笔触内在生成方式与笔触表现性之间的相互联系。
补充资料:笔触
笔触
brush stroke

   绘画中的笔法。又称肌理,常指油画和水彩画中运笔的痕迹。画家运笔借助颜料的厚薄对比、调合剂的浓淡变化、落笔的轻重力度、运笔的快慢节奏及点染的气韵感觉,体现对象质感、量感、体积感和光影虚实的描绘能力。笔触与物象表面贴切吻合,造成很强的真实感。另外,笔触也和线条有某种相同的涵义,不同的笔触感觉有不同的表情特征,成为画家性格、情趣、艺术秉赋的自然流露,表现为画家的艺术风格和个性特征。肌理则指运用颜料厚薄不同的笔触或其他方法在画面上形成的表层组织效果,又称画面的物理效果,如结合表面质感需要在颜料掺合沙子、木屑等方法,使画面在一定光线下,表层结构显示出富有表现力的凹凸变化。此外还包含绘画底子的因素,如画布的粗细以及纹理的横斜构造等。恰当选择不同质地的绘画底子,合理运用材料的肌理效果,也有增强画面本身美感因素的作用。
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