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1)  " Songs Without Words"
无词歌
2)  Songs without words
《无词歌》
1.
Discussion about the Beauty in the Form of Mendelssohn s Songs without Words;
论门德尔松《无词歌》的“形式美”
2.
The emergence of Songs without words not only was the special mark that Mendelssohn was different from other composers,but also established his important position in the piano music history.
无词歌》的出现,不仅是门德尔松有别于其它作曲家创作的特殊标志,也奠定了门德尔松在钢琴音乐发展史上的重要地位。
3)  song lyrics
歌词
1.
We report experiments on song lyrics based on natural language processing techniques.
我们在歌词上做了一些传统的自然语言处理相关的实验。
2.
This paper attempts to provide an insight into the domain of English-Chinese song lyrics translation in the light of functionalist translation, stressing the impact of music on the application of translation strategies in the translation process.
尽管英文歌曲在中国广受欢迎已久,但迄今为止有关歌词翻译的研究论著仍然甚少。
3.
Song lyrics, as vehicles transmitting information between song lyrics composer and audiences, have long been the object of study in terms of aesthetics, culture, history, rhetoric, etc.
长期以来,歌词作为一种特殊语言现象受到了学者们的广泛关注。
4)  words of a song
歌词
1.
To be an excellent singer,one must comprehend words of a song and its temperament deeply.
作为优秀歌手 ,对歌词和乐律要有深刻了解。
5)  lyric [英]['lirik]  [美]['lɪrɪk]
歌词
1.
A Study on Tian Han s Early Modern Chinese Poetry and Lyric;
浅析田汉早期新诗与歌词创作
2.
This paper suggests that"Xing"is a stylistic feature of lyrics and proposes to examine it in the song-writing from ancient time till today.
兴本是一种歌词文体特征,将其还原到古今歌词创作的实践中加以考察,会解决很多争论问题。
3.
The paper makes a comprehensive description and analysis on the Chuanjing Work song in the aspects of the rhythms,tones and lyrice.
本文从川江号子的旋律、节奏、歌词等方面作了较全面的论述,并对船工演唱号子时的内心情感作了心理分析,旨在传承历史文化遗产,弘扬民族音乐文化。
6)  lyrics [英]['lɪrɪk]  [美]['lɪrɪk]
歌词
1.
The Prosperity of Lyrics in the 20th Century and Its Enlightenment for Chinese Modern Poems;
百年歌词创作繁荣及其对新诗创作的启示
2.
Just on the basis,Poetry in a particular condition achieved a transformation of the lyrics.
它对格律的追求与歌曲对文本的要求存在一定的相似度,也正基于此,在某一特定的条件下诗歌实现了向歌词的转化。
补充资料:无词歌
无词歌
songs without words
    按照歌曲体裁及其形式特点写作的小型器乐曲。通常有一个歌唱性的旋律,配以抒情歌曲常用的伴奏音型。此体裁为F.门德尔松首创,并作有钢琴独奏的《无词歌》8集,每集6首。其中除3首《威尼斯船歌》的标题为作者原来写下之外,其余绝大多数皆非作者所定。他还写过一首大提琴和钢琴用的无词歌。P.I.柴科夫斯基、C.圣-桑斯、G.福雷等也都写过这一体裁的作品。
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