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1)  violent narrative form
叙事暴力
2)  violence narration
暴力叙事
1.
In the history of modern China,violence narration is not only an esthetic phenomenon in the Chinese contemporary literature,but also a culture phenomenon about enlightenment.
“暴力叙事”不仅是中国近现代文学的一种审美现象,同时也是中国近现代思想启蒙的一种文化现象。
3)  violence desire narration
暴力欲望叙事
1.
This paper aims at revealing its nature,disadvantages and realistic effects by making a dialectical analysis of the history desire narration,feminism desire narration and violence desire narration of the new-period literature.
本文意在通过对新时期文学中的历史欲望叙事、女性(权)主义欲望叙事和暴力欲望叙事的辩证分析,揭示其内核、弊端和现实效应。
4)  narrative of tension
张力叙事
1.
However,this narrative of tension made the natural and rich humanity stand out from the text,and it rewrote the traditional narrat.
然而,这种张力叙事不仅使自然丰富的人性得以从文本中浮现出来,也从文学史的角度重写了乡土小说的传统叙事机制。
5)  narrative competence
叙事能力
6)  narrative tension
叙事张力
1.
There are three important narrative tensions in Othello, which are constituted respectively by three binary oppositions:Othello and the Venetian,Desdemona and the patriarchal society, Bianca and the center of a mother country s narration.
在莎翁名剧《奥瑟罗》中 ,奥瑟罗和威尼斯人、苔斯狄蒙娜和父权社会、比恩卡和宗主国叙事中心这三组二元对立构成了三股叙事张力。
2.
In the light of this, narrative tension and its movement exists in most parts of Ai Wei\'s novels, such as the content, the way of narrative, even the whole style.
从这个意义上说,艾伟小说无论是在叙事内涵上,还是叙事技巧和整体风格上都存在着张力及其运动的因素,本文也旨在以张力理论为基础,探寻其小说叙事张力的实现及其丰富性。
补充资料:叙事
1.叙述事情。把事情的前后经过记载下来。
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