1) prosaic Da Fu
散体大赋
1.
A careful study shows that Han Fu,especially prosaic Da Fu has three origins: its spirit derived from poetic education,its flowery language from Qu Yuan’s Li Sao,and its various content structures from the masters of the Warring-States Period.
细究起来,汉赋,特别是散体大赋,其源头其实有三:其精神实质承继于诗教,其华丽的辞采形式嬗变于屈骚,其多变的内容结构出入战国诸子。
2) the direct prose of DaFu in the Western and Eastern Han﹣Dynasty
两汉散体大赋
3) prose Fu
散体赋
1.
The prose Fuin Han dynasty and the new prose Fuin early Tang dynasty are in fact,all prose-style Fu.
历来对文赋的肇始是有争议的,无论是汉代的散体赋,还是唐始的新文赋,实际都可称为文体赋。
2.
The works of prose Fu by the four representative writers,Sima Xiangru,Yang Xiong,Ban Gu,and Zhang Heng,showed a more and more prominent tendency of politicization,in which argument took a more and more proportion,and the author\'s view became clearer and clearer.
从司马相如、扬雄、班固、张衡四位代表作家的作品中可以看出,政论化的倾向在散体赋中越来越明显。
4) Fu poetry in prose style of the Han
汉散体赋
1.
Thus it has great influence on Fu poetry in prose style of the Han and Fu poetry literature.
宋玉赋的"问对"结构、"韵散相间"的语言、"铺陈""卒章见义"的表现手法、多元的题材,标志着散体赋表现方法的成熟与定型,它对汉散体赋以及赋体文学产生了重大的影响,可以肯定地说,宋玉是赋体文学特别是汉散体赋的开创者和奠基人。
5) Han "fu" system
汉大赋体制
1.
This article from such aspects as need of "fu" internal expressive ability, different descriptive objects and Han literature s special pattern, probes the cause of Han "fu" system.
从辞赋内部表达能力发展需要、描写对象变化需要、西汉文学观念特殊形态的需要几个方面探索汉大赋体制的成因。
6) Da Fu
大赋
1.
Liangdu Fu solves the conflicts between aesthetical taste and political-ethical concerns of traditional Da Fu, corrects its structural defects, embodies Ban Gu s high consciousness that determines the nature of Han-dynasty and the direction of Han Fu or Han Literature.
然而它在赋史上却是不可替代的:它化解了传统大赋在审美追求和政教伦理追求间的冲突,消除了传统大赋的结构性缺失,体现了为汉德、汉赋乃至整个汉文定性和定位的高度自觉,真正具备了表征汉文的特性。
2.
He blazed new trails in the circles of Da Fu,Xiao Fu and poetry of Han Dynasty .
在大赋领域形象追求时有创新 ,小赋中有写意的形象创造 ,其诗歌更表现出借鉴乐府手法和融合文人情怀的形象之美。
补充资料：散体大赋
| 散体大赋 见汉赋。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条