1) mainstream literature criticism
主流批评
2) thematic criticism
主题批评
1.
Basing his idea upon Husserl s phenomenological philosophy and inheriting Bachelard’s thematic criticism, Richard focuses upon "intuition" and "experience",highlighting the particular phenomena rather than general categories.
巴什拉的主题批评,从文本的表层"现象"(主题)分析入手,努力寻找文本深层的主题网络。
3) subject criticism
主体批评
1.
The present paper has also criticized the extreme trend of the theory of modern subject criticism.
秋思》原文和译文,根据辩证唯物主义认识论对文学模糊产生的原因进行了分析,得出模糊主要来源在于读者或听话人经历的缺乏的结论,并且对现代主体批评的极端化倾向提出置疑,主张正确认识文学模糊,在翻译中保存源语文本的模糊性。
4) topic of criticism
批评主题
1.
Chapter one says rich in topic of criticism of Mongolian novel criticism.
第一章指出了20世纪后20年蒙古小说批评的批评主题的深化。
5) subjective criticism
主观批评
1.
The highest purpose of subjective criticism is not in seeking of objective and permanent truth of literature, but in pursuing of personal comprehension and expression.
我们把从批评主体出发，以批评主体为重，重视其在批评活动中的主观感受，强调其在批评过程中的主动性、创造性以及讲究批评表达的独特性、艺术性的批评方法称之为主观批评。
6) critic
[英]['krɪtɪk] [美]['krɪtɪk]
批评主体
1.
This paper summarizes ZhuGuangqian s early thoughts of literary criticism, which has been little touched.
第四部分：批评主体的宽容心态和纯正趣味 针对现代批评界的门户派别之争和缺乏艺术美趣味的现象，朱光潜主张批评家应当宽容，应当加强修养。
补充资料：主流
即“干流”(310页)。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条