The creative application of the aesthetic spirit of Chinese painting and calligraphy in modern book design has been mainly reflected in three aspects:the overall emphasis on the harmony;the perfect usage of white and black,the pursuit of simplicity;the unique combination of form and content,the relation of the intrinsic momentum.

Therefore we should establish a tri-dimensional and dynamic new bookbinding concept that can make the bookbinding art go up to a new level.

The essence of bookbinding is its artistry and time spirit.

Discussion on principle of book design in modern times;

The localization and expanding about the contemporary book design;

The Street Culture of Late Ming Dynasty and the Development of Art Style in Book Design;

The finding and layout of books is an objective form of art, closely related to certain conditions in the history of it's continuous development.

Pattern designs in the layout of books can attach cultural information to abundant psychological tendencies and categorise the perceivability and visualization of patterns into the appreciation of words.

With the dynamic binding and layout design concept, the designer should design the book with Chinese and times characteristics, which will rise binding and layout of a book to a new level.

Beauty should be embodied in book binding and layout because it creates artistry and appreciationwhich also represents the "nature" of the artistry of book binding and layout in different times.