2) voiceless initial consonant of entering tone
清声母入声
3) voiceless-initial ru-tonecharacters
清声母入声字
1.
Through a study on the voiceless-initial ru-tonecharacters(清声母入声字) of them,we can find that their classification is more or less thesame as Zhongyuan Yinyun(中原音韵).
音释》是明代戏曲家臧晋叔编辑的《元曲选》中的注音部分,考察其中的清声母入声字,可以发现其归派情况大抵与《中原音韵》相同,但也有些许的例外和略微入声的痕迹,有待进一步的考察和研究。
4) entering-tone
入声
1.
In fact the entering-tone had vanished in the times of Wu-fang Yuan-yin in the large northern area.
《五方元音》一书存有入声,这是一种假象,是为了迁就传统韵书的需要,是折中的产物,其实《五方元音》时代的广大北方地区入声已经普遍消失。
2.
There are 12 rhyme categories, 19 initial consonants in fact, and 5 tones apparently with entering-tone disappearing as the matter of fact in Wu Fang Yuan Yin.
书中韵分十二部,声母实际有十九类,声调表面有五,实际入声已经消失。
5) rusheng
入声
1.
Study on the Historical Development of Rusheng in Hunan Dialect;
论湘语入声演变的历史轨迹
2.
Since Yellow River had changed its riverway, the old drainage area became a mixed zone characterized both languages, and also marked the boundary between the accents of Jiantuan and Rusheng.
黄河迁徙后,中间故道便成为两边语言的融合带、过渡带,也成为新乡方言入声和尖团音的分界线。
6) entering tone
入声
1.
Characteristics of Light Sounds and Pitch Pattern——A case from the tone sandhi of light sounds and entering tone in Nanjing dialect;
轻声音高模式的特性——以南京方言轻声和入声音变为例
2.
This article investigated the entering tone character of "Broad Rhyme" reflected in Liaocheng dialect.
本文调查了《广韵》的入声字在聊城方言中韵母和声调的变化情况,其特点是:入声韵尾全部消失,几乎全部变成阴声韵;入声派入四声:阴平、阳平、上声、去声。
3.
The division of even tone into "Yin" and "Yang" and the existence of entering tone(Ru Sheng) reflect its faithful description of tones at that time.
明末乔中和《元韵谱》一书中的声调系统,为阴平、阳平、上声、去声、入声五类,其中平分阴阳、保留入声调,反映了16世纪末、17世纪初河北内丘语音的面貌。
补充资料：零声母
1.指汉字不用辅音充当声母。现代汉语中"乌(wū)"﹑"盐(yán)"﹑"雨(yǔ)"都读零声母。现代零声母字从中古好几类声纽演变而来﹔中古音零声母以"影"纽为代表。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条