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1)  image of narrator
意象化的叙事者
1.
At the level of narrative,the stone,as the image of narrator,started to narrate,the beginning of The Dream of Red Mansion was traced back to the time when Nüwa repaired the sky,the uncertainty of the history helped to open wide from time to space,the plot was weakened so that the emphasis was laid on love.
在叙事层面,通过设立"石头"这一意象化的叙事者,而把红楼开场回溯至女娲补天的苍茫时刻:史前之时的不确定性,实现了时间向空间的敞开;石头开口说话(叙事),实现了话语向诗语的敞开;情节淡化,实现了故事向情的敞开。
2)  narrating through imagery
意象化叙事
1.
Her narrating through imagery and ironic narrating lays special emphasis on orientating the reader s feelings and perception towards the inner worlds of the characters.
张爱玲的小说追求一种激光般的深度的艺术穿透力 ,她的意象化叙事与反讽叙事侧重于将读者的感受导入人的内心世界。
3)  narrative image
叙事意象
1.
Pu song-ling s short story collection 《Liao Zhai Zhi Yi》is the Chinese literary style novel development peak work,the narrative image esthetics function center obtains in《Liao Zhai Zhi Yi》fully manifests,main performance for condensation significance,condensation subject;Acts as the narrative clue,runs throughout the narrative structure;Preserves the esthetic interest and so on.
蒲松龄的短篇小说集《聊斋志异》是中国文言小说中的优秀作品,叙事意象的审美功能在《聊斋志异》中得到充分体现,主要表现为凝聚意义、凝聚主题;充当叙事线索,贯串叙事结构;保存审美趣味等。
2.
Through the research of the narrative pattern of ″Liaozhaizhiyi″,the narrative image should bring to the attention which should have.
在研究《聊斋志异》叙事模式的过程中,叙事意象应该引起应有的重视。
3.
Lian xiang displayes an unique art which combines the dual apposition with the narrative image.
蒲松龄发挥他独特的艺术构思,在文章中融二元对立、叙事意象等多种手法为一体,取得了中国传统叙事所能达到的水平,《莲香》成为传统叙事艺术在文言短篇中的浓缩,值得我们今天短篇小说创作所借鉴。
4)  imagery narration
意象叙事
5)  narration and imagery
叙事与意象
6)  producers in their narrative sense
叙事意义的生产者
1.
These daily scenes and the metropolitan material configuration have become producers in their narrative sense so as to promote the plot of the stories.
这些日常生活场景和都市化物质形态,成为小说叙事意义的生产者,参与了故事情节的推动。
补充资料:意象
中国古代美学范畴。意,指心意;象,指物象。意象即对象的感性形象与自己的心意状态融合而成的蕴于胸中的具体形象。该词原为哲学概念。南朝梁刘勰在《文心雕龙》中首次将其用于艺术创造,指出“独照之匠,窥意象而运斤”,说明构思时须将外物形象与意趣、情感融合起来,以形成审美意象。
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