1) epistemological musical aesthetics
认识论音乐美学
1.
The paper analysed Zhao Songguang\'s On Musical Figurativeness with its historical position and significance of theory, pointed out its theoretical basis and historical contribution, and meanwhile Ming Yan made his own rational thinking that Zhao\'s implicit criticisms on epistemological musical aesthetics in the book.
指出了赵先生文论的理论基础及其历史贡献,并对赵先生当年隐讳在文论内层的对认识论音乐美学的批判,做出了自己的深度解析与理性思考,认为当东欧和中国的音乐美学家们大多都沉溺于认识论的音乐美学观念中的时候,他就开始寻找补充这种狭隘观念的方法。
4) aesthetics in matcrialist epistemology
唯物认识论美学
6) Musical aesthetics
音乐美学
1.
A New Research on JiKang s Ontology of Musical Aesthetics;
嵇康的音乐美学本体论思想新探
2.
Discussion on the relationship between the content and the form of music——A comparison of Hanslick and Zofia Lissa s thoughts on musical aesthetics;
浅谈音乐的内容与形式的关系——汉斯立克与卓菲娅·丽莎音乐美学思想之比较
3.
Therefore,musical aesthetics is not only a systematic science,but also a basic theory in whole musicology.
音乐美学是研究音乐艺术普遍规律的学科。
补充资料：辩证唯物主义认识论(见认识论)
辩证唯物主义认识论(见认识论)
theory of knowledge of dialectical materialism
blanZhengweiwOZ卜U丫1 rens卜jlUn辩证唯物主义认识论(t heory ofkn。wle此eofd坛lectical mater认价皿)见认识论。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条