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1.
Democratic Management of Academic System in Stanford University and its Enlightenment;
斯坦福大学学术民主管理系统及其启示
2.
Science enables technological innovation, which furthers democracy, which favors open markets.
科学促成技术革新,技术革新促进民主,民主有利于开放市
3.
Khmer Institute for Democracy
高棉民主学社(民主学社)
4.
On the Construction of Fork Literature and Arts Copyright Subject System;
论民间文学艺术版权主体制度之构建
5.
PROBING THE ROAD TO DEMOCRACY IN AFRICA --Summary of the Study of African Democratization Issues in International Academic Circles;
探寻非洲民主之路——国际学术界对非洲民主化问题研究概述
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Academic Freedom and Democracy:the Key to Chinese Scholars Creativity;
学术自由、民主:我国学者创新能力的关键
7.
On the Subject of Copyright of the Folk Literature and Art Works;
民间文学艺术作品的著作权主体问题研究
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Study on the Origination Background of Business Science of Lund-owner in Qi Min Yao Shu(Essential Ways for Living of the Common People);
《齐民要术》中的地主“治生之学”产生背景研究
9.
Overviews on Cyber-Democracy Studies of Domestic Academic Field in Recent Years;
近年来国内学术界关于网络民主研究的综述
10.
On the Nationalized Cultural Orientation of Zhang Taiyan s Linguistic Research Activities;
试论章太炎语言学术活动的民族主义文化取向
11.
The Origin and the Academic Analysis of Dr.Sun Yat-sen′s Principle of Nationalism;
孙中山民族主义的思想渊源及学术解析
12.
Reason,Responsibility and Democracy: Views on John S.Brubacher s Academic Authority;
理性·责任·民主——论布鲁贝克的学术自治观
13.
To make use of in art design teaching the democracy education method considers;
对在艺术设计教学中运用民主教育方法的思考
14.
On the Connotations of Jiang Zemin's Dialectical and Materialist View on Science and Technology ──Notes on Studying Jiang Zemin's On Science and Technology;
论江泽民辩证唯物主义科学技术观的内涵──学习江泽民《论科学技术》一书的札记
15.
This global wave of democratisation has been the issue of numerous academic discussions.
这个世界民主化的潮流已经成为很多学术研讨的主题。
16.
Academic Circle on the Retrospect and Prospect of the Research on the Reform of Democratic Socialism since the Founding of the People's Republic of China
建国以来学术界关于工党民主社会主义改革研究的回顾与展望
17.
She was dean of the Folk art Department in the Northwest art Institute for many years,
50年代初曾任西北艺术学院少数民族艺术系主任多年,
18.
The artist adopts the paper-cutting art of folk art as the main format.
作者以民间美术中的剪纸艺术为主要艺术形式,并以其多彩多面貌来探讨民族文化的本源哲学。