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1.
Narrative Modes with HE as the Narrator;
“他”作为叙事者的两种窄视角叙述模式
2.
On PAN Wan-mu s Views of Narration Pattern in Zuo Commentary;
叙述学研究走进历史叙述文本——评潘万木的《〈左传〉叙述模式论》
3.
Objectivity in Flaubert s Madam Bovary by narrations;
叙述模式和叙述语言看《包法利夫人》的客观性
4.
An Analysis of the Omniscient Narrative in Seize the Day from the Perspective of Rhetorical Narratology;
《只争朝夕》全知叙述模式的修辞性叙事学分析
5.
Epistolary Narration in the Color Purple;
书信体叙述模式在《紫颜色》中的运用
6.
STYLE CONSTRUCTION AND NARRATION PATTERN OF SATIRICAL NOVELS IN THE MING AND QING DYNASTY;
明清讽刺小说的文体建构和叙述模式
7.
Pure Diegesis and Parody: The Narration Modes in Ulysses;
本真与戏仿:《尤利西斯》的叙述模式
8.
Family Novel:Decline or End of a Narrative Model;
家族小说:一种叙述模式的衰落或终结
9.
The Witch s Account: Folk Perspective Narration --A Tentative Insight into the Narration Standpoint of All s Settled;
招魂者言:现代民间叙述——试释《尘埃落定》的叙述模式
10.
AN ANALYSIS OF THE NARRATIVE TECHNIQUES OF MAO DUN S "DASHED HOPE" FROM VARIOUS ANGLES TAKING OMNISCIENT AS THE SUBJECT;
以全知为主体的多角度叙述——茅盾《幻灭》叙述模式
11.
Construction and Deconstruction of Opposition between Subject and Object in Ivan Kl(?)ma s Narrative Style;
伊凡·克里玛的主客对立叙述模式及其解构策略
12.
Thematic Significance of the Narrative Mode in Beloved;
为了忘却的回忆——析《宠儿》叙述模式的主题意蕴
13.
The Narrative Modes of Novel and Short Stories in New Period--Taking example for Shanghai Literature;
新时期中短篇小说的叙述模式——以《上海文学》为例
14.
Floating Consciousness: Suzhou River Overflowing the Transnational Shores of Fiction Film Narration;
流动的意识:《苏州河》的跨国界故事片叙述模式
15.
On the Narrative Pattern of Liang Bin s Novels and Its Cultural Implications;
论梁斌长篇小说的叙述模式及其文化意味
16.
On the Three Main Narrative Patterns and Aesthetic Systems of Zhaojun s Story;
论昭君故事的三重叙述模式与审美体系
17.
The Genius-and-beauty Narrative Pattern in Contemporary Novels;
才子佳人叙述模式在现当代小说中的演变
18.
Narrative Mode of“Ode of Cchibi”and Chinese Traditional Culture;
《赤壁赋》的叙述模式与中国传统文化思维的关系