1.
The Death of the Butterfly:A Study of the Butterfly Image in Madam Butterfly and M. Butterfly
蝴蝶之死：由《蝴蝶夫人》和《蝴蝶君》看蝴蝶意象的发展
2.
From Madame Butterfly to M.Butterfly: An Interpretation of Orientalism;
从《蝴蝶夫人》到《蝴蝶君》的“东方主义”解读
3.
The Inheritance and The Variance to the Image of Butterfly--A Contrast Between M.Butterfly and Madame Butterfly;
“蝴蝶”意象的继承和变体发展——作比《蝴蝶君》和《蝴蝶夫人》二剧
4.
Metatheatre in M. Butterfly: David Henry Hwang's Subversion of Madame Butterfly
《蝴蝶君》中的元戏剧黄哲伦对《蝴蝶夫人》的颠覆
5.
Construction and Deconstruction of the Image of the Orient:M.Butterfly as an Adaptation of Madame Butterfly;
东方幻象的建构与解构——论《蝴蝶君》对《蝴蝶夫人》的改写
6.
On Appreciation and Handling of Aria“A Sunny Day”in Opera“Madame Butterfly”;
歌剧《蝴蝶夫人》咏叹调“晴朗的一天”赏析与处理
7.
The first act I like the most in "Madame Butterfly" and the second one is when Cio-Cio-San sings Un bel di vedremo.
我最喜欢《蝴蝶夫人》里的第一幕，其次就是可可桑唱的《晴朗的一天》。
8.
The Tragic Image-Building of Ciociosan in Opera Butterfly Produced by Puccini;
论普契尼歌剧《蝴蝶夫人》中巧巧桑的悲剧形象塑造
9.
(See Butterfly's Aria).
（见《蝴蝶夫人的咏叹调》）
10.
From "Madame Butterfly" to "Mr. Butterfly":A Study of David Henry Huang′s Cultural Strategies;
从蝴蝶夫人到蝴蝶君──黄哲伦的文化策略初探
11.
Deconstructing Madame Butterfly: The Politics of David Henry Hwang--The Reversed Stereotypes of the East for the West in M.Butterfly;
解构“蝴蝶夫人”：论黄哲伦的文化策略
12.
Characters: Cio-cio-San, called Madama Butterfly (soprano) ; Suzuki, her servant (mezzo-soprano);
人物：巧巧桑，又称蝴蝶夫人（女高音）：铃木，使女（女次高音）；
13.
I drew a bold black and white butterfly pattern and took it to Mrs. Vidian.
我设计了一个黑白分明的蝴蝶图案，交给了威迪安夫人。
14.
The Ethical Principles in Daphne du Maurier:A Case Study of Rebecca;
从《蝴蝶梦》看达夫妮·杜穆里埃的伦理观
15.
A small blue butterfly of the family Lycaenidae.
蓝蝶灰蝶科的小蓝蝴蝶
16.
Butterfly changes into a white gown, and her new husband gently leads her onto the terrace as vows of love flow from their lips.
蝴蝶换上一件洁白的新娘服，新婚丈夫轻轻带她移步来到阳台上，两人山盟海誓，情语绵绵。
17.
A man one day pick up a butterfly pupa.
有一个人无意中找到一个蝴蝶蛹。
18.
A Loser,or A Winner;
孰输?孰赢?——评黄哲伦《蝴蝶君》中的人物