1.
Confusion,Deep Thought and Choice Made--A Study of Narrative Perspective Transference in Atwood s Novel The Edible Woman;
迷茫·思索·选择——阿特伍德的小说《可以吃的女人》叙事视角转换研究
2.
On the Transformation Model of Knowledge-limited Narrative Perspective of Tang s Ballade;
唐代叙事诗限知叙述视角转换模式试探
3.
Perspective Transformation from Country Memory to Multi-discourse Narration;
从故乡记忆到多重话语叙事的视角转换
4.
Transference of Viewpoint and Discourse Coherence in Narrative Poetry Translation;
叙事诗词翻译中的视角转换与语篇连贯
5.
Narrative of Childhood Memories in Contemporary Chinese Novels and its Shift of Perspectives;
论当代小说中的童年回忆叙事及其视角转换
6.
A Narrator Who Goes but Never Lives in Seclusion An approach to Tang Xianzu s art of drama adaption from the change of visual angle of narration;
隐而不退的叙述者——从叙事视角的转换看汤显祖戏剧的改编艺术
7.
Research on the Exchange of Narrative Angles from the Adaptations of the Tang Dynasty Novels by Tang Xianzu;
叙事视角的转换——论“临川四梦”对唐代相关小说的改编
8.
On the Shifts of the Point of View and Their Artistic Effect in Beloved;
《宠儿》中叙述视角的转换及其艺术效果
9.
A Study of the Shift of the Narrative Point of View and the Language Styles of The Assistant;
《店员》的叙事角度转换与语言特色研究
10.
CHANGE OF PERSPECTIVES IN TV NEWS NARRATION AND THEME CONSTRUCION--A Study of a CCTV News Item;
电视新闻叙事的视角转换与主题建构——以央视《新闻联播》播出的一则新闻为例
11.
On the Conversion of Narrative Perspective and its Aesthetic Significance in Hulan River;
论《呼兰河传》叙述视角的转换及其美学意义
12.
First person and multi-perspective transmission and transfer are both popular in Buddhist Scripture, the mirror;
再如,第一人称叙事和多重视角的传递转换在汉译佛典中也屡见不鲜;
13.
Suffering Narration: Talk about Farmers Flooding into City for Job in the Period of 1980s-1990s
城乡两域·底层视角·苦难叙事——论转型期以来的“乡下人进城”叙事
14.
On the Narrators and the Narrative Angle of View of Strange Stories from a Chinese Studio;
论《聊斋志异》的叙事角色和叙事视角
15.
Changes in the Angle of Vision for the 20th-century Chinese Literary Criticism Seen through Styles;
从“叙述”到“描绘”——从语体风格看二十世纪中国文学批评的视角转换
16.
On Narrative Structure of The Professor s House from the View of Perspective;
从叙述视角看《教授的房子》的叙事结构
17.
Narrative Modes with HE as the Narrator;
“他”作为叙事者的两种窄视角叙述模式
18.
Multiple Points of View and The Disappearance of Narrative Authority--On As I Lay Dying from the Narrative Point of View;
多角度第一人称叙事与叙述权威的消亡——论《我弥留之际》的叙事视角