1.
A debate on Yangzhou s Eight Eccentric Painters under the cultural background of Confucian studies in the Qing Dynasty;
扬州八家贤怪辩——有违中庸之道的扬州八怪
2.
The Queerness of "Yang Zhou Eight Eccentric Painters" and the Commonplace of the Chinese Contemporary Art;
“扬州八怪”之怪与中国当代艺术的平庸
3.
On Characteristics and Contributing Factors of the Unusual Painting Styles of the Eight Great Odd Painters of Yang Zhou;
试论“扬州八怪”怪异画风的特点及成因
4.
Eight Eccentric Painters in Yangzhou"and their Artistic Style;
“扬州八怪”的形成及其“怪”的艺术特色
5.
Unbounded Personality-The Art of “the 8 Eccentrics in Yangzhou”;
张扬的个性——“扬州八怪”绘画艺术的启示
6.
Influence of Yangzhou's Eight Eccentric Painters on Taiwan's early wash painting
扬州八怪对台湾早期水墨画的影响
7.
On the Decline of Images In the Paintings of “Eight Eccentrics of Yang zhou”;
试议“扬州八怪”艺术中绘画形象的式微
8.
An essay on the calligraphy and drawing exhibition of yangzhou baguai held;
南京博物院“扬州八怪书画展”随笔
9.
Though he specializes in flower-and-bird, he is the extremely rare versatile painter.
他非常倾心于徐谓，八大，石涛，扬州八怪的写意画。
10.
Cultural Interaction: Two MAS and Eight Weird Persons in Yangzhou--Research into the development of literature and art in the Qing Dynasty;
文化互动:“扬州二马”与“扬州八怪”——考察清代文艺发展的一个视角
11.
The eight eccentric painters had similar life experiences, ideas and sentiments.
"扬州八怪"有相近的生活体验和思想情感。
12.
after the Four Monk Painters, the Qing Dynasty saw the rise of another revolutionary painting school in the Eight Eccentric Painters of Yangzhou.
继"四僧画家"之后，又崛起一个革新画派--"扬州八怪"。
13.
Echoed Each Other over Oceans and One Century Apart--The Dutch School and Yang Zhou Eight Eccentrics
远隔重洋的世纪神交——荷兰画派与扬州八怪
14.
Discussion on the inheritance and development of Chinese paintings by appreciating the eight odd painters in Yangzhou and their works;
扬州八怪其人其画—中国画的继承和发展
15.
Look Bian Shoumin from the "Chart of the Family Surnamed with Bian Moved to Huai"--One of the Studies on the Eight Artists of Yangzhou
从“迁淮边氏谱”看边寿民——“扬州八怪”研究之一
16.
The pursue to the aesthetic humanity and personality s beauty--The art style s comparison between Rococo arts and Yangzhou Baguai of China;
人性美与人格美的追求——罗可可美术与“扬州八怪”艺术风格之比较
17.
The scholars of schoolsof Wu, Wan and Zhe, the Eight Giants of YangZhou, the School of Yangzhou have been helped.
吴、皖、浙诸派巨子皆得其惠，扬州八怪、扬州学派更因之而异军突起，树帜艺林学苑。
18.
His free-hand flower and bird paintings drew on the painting techniques of Xu Wei, Zhu Da, the Eight Eccentrics of Yangzhou and Wu Changshuo, thus showing his solid cultural foundation.
他的写意花鸟画上承徐渭、朱耷、扬州八怪以及吴昌硕，具有深厚的传统文化功力。