1.
"Mirror" of Modernism;
“现代派”的“镜子”——从镜子意象看“现代派”的诗学面相
2.
Sometimes modern artists are considered radicals.
有时侯,现代派艺术家被认为是激进派。
3.
On New Era s Modern School and Roots-Tracing School in Literature;
论新时期“现代派”与“寻根派”文学
4.
"Modernism" or "Pseudo-modernism"--About Controversy of Modernist Literature of 1980s;
“现代派”还是“伪现代派”——关于80年代现代主义文学的论争
5.
On "Modern Architecture" and "Modern Style;
“现代建筑”与“现代派”概念探析
6.
Tracing the European Modernistic Movies to the Origin of Their Modernistic Philosophy-Theology
欧洲现代派电影之现代哲学—神学渊源
7.
Experiment and Subversion:Modernism and Postmodernism in Biography
实验与颠覆:传记中的现代派与后现代
8.
The Realistic Significance of Coexistence of Traditional and Modern Educational Thoughts
论传统派与现代派教育思想并存的现实意义
9.
The Literature of Western Modern School and the Ancient Chinese Subjective Imagism;
西方现代派文学与中国古代意象理论
10.
The “Modernist Literature” of 1980s;
二十世纪八十年代的“现代派文学”
11.
Urbanism in the Modernist Novels of 1930s;
论中国30年代现代派小说的都市性
12.
The Exploration of Dispute: Between Modernistic and Realistic Painting in China s Early 20～(th) Century;
中国20世纪早期现代派与写实派绘画争论探源
13.
Western Modernist Art and Advertising;
西方现代派艺术与广告——由西方现代派美术引出的对广告的思考
14.
Contemporary trends in design.
现代（派）设计倾向
15.
The Contemporary Schools of Thought of Bourgeois Law
现代资产阶级法学流派
16.
Postmodern Contexts: Reconsidering French School and American School
后现代语境:重提法国学派和美国学派
17.
The Different Writing of Modernity in China: Shang Hai School and Beijing School (1930-1937);
书写不同的现代性：京派与海派（1930-1937）
18.
Relatively Study in Modern s Psychological Perspection of Beijing School and Shanghai School;
“京派”、“海派”现代人心理透视比较研究