1.
A Psychological Interpretation of Imagery in the Sutra Painting of Tang Dynasty in Mogao Grottoes;
莫高窟唐代经变画中意象的心理解读
2.
On the Costume of the Wu Ji(Dancer) in the Buddha Worshiping Band in the Murals of Mogao Grottoes of Tang Dynasty in Dunhuang;
敦煌唐代壁画经变画礼佛乐队中的舞伎服饰研究
3.
The Economic Turuing in the Tang Dynasty and the Changes in the Fairy Tales of Mid and late Tang Dynasty;
唐代社会经济转型与中晚唐遇仙小说新变
4.
Economic Analysis of the Transfer of National Land Policy in Tang Dynasty;
唐代国家土地政策变迁的经济学分析
5.
Research on Lidai Minghua Ji and Other Painting Theory of Tang Dynasty
《历代名画记》及唐代绘画理论研究
6.
On the Pioneering Contribution of Poems with Paintings in the Tang Dynasty to the Stylistic Rules and Layout;
唐代题画诗对题画诗体例的开创之功
7.
ON THE FLOWERS AND BIRDS PAINTING ON CERAMICS FROM THE TONGGUAN KILN OF CHANGSHA IN THE TANG DYNASTY;
论陶瓷绘画的唐代长沙铜官窑花鸟画
8.
The Animal Paintings Study of Mogao Grottoes in Dunhuang in the Tang Dynasty
敦煌莫高窟唐代壁画中的动物画研究
9.
The Sui Dynasty s Illustrations to Buddhist Sütra of Mogao Grottoes at Dunhuang And The Ones of The Southern Dynasties and The Capital Area of Chang an and Luoyang;
莫高窟隋代经变画与南朝、两京地区
10.
To Research the Development of the Tang Dynasty HeLong Agricultural Economy from the Population Area Change
从人口变化看唐代河陇地区农业经济的开发
11.
Portrait painting boomed in the Tang Dynasty.
唐代是人物画非常繁盛的时代。
12.
Research on the Contemporary Evolvement and Modern Experience of Urban Ink-portrait Painting;
论都市水墨人物画的当代性演变及其现代经验
13.
On the Fresco Art of Madam TANG s and CUI s Coffin Chambers of TANG Dynasty in Luoyang;
浅淡洛阳唐代唐、崔二孺人墓室壁画艺术
14.
The new painting form developed to a more mature stage in the Tang Dynasty, and several famous landscape painters appeared.
唐代山水画达到成熟，出现了许多有名的画家。
15.
The Status:Surroundings of "Yan Liben Events";
唐代画家的社会身份与绘画职业的地位
16.
Talk about the Poem Inscribed on Painting and the Development of Aesthetic Spiritof Landscape Paintings in Tang and Five Dynasdies;
论唐五代题画诗与同期山水画审美精神的发展
17.
In Tang Dynasty Traditional Chinese Painting of Beautiful Women Color Symbolism and Decoration;
唐代仕女画中色彩的象征性与装饰性
18.
Development of the Theory of Painting from Wei and Jin Dynasties to Tang Dynasty from the Difference between Xie and Yao;
从谢姚之异看魏晋到唐代的画论发展