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1.
“Two-Version” or “Two-Segment”: A Review of the Debates on Water Margin;
“两种《水浒》说”与“两截《水浒》说”论争述评
2.
The military counselor Wu Yong in the novel "Water Margins"is a man of ingenuity.
小说《水浒》中的吴用在军事上足智多谋。
3.
I read " Water Margin " with interest great with interest.
我怀着极大的兴趣阅读《水浒》
4.
The Water Margin:A Mirror of Building Harmonious Society
《水浒》:构建和谐社会的一面镜子
5.
The Evolution of the Heroes of the Outlaws of the Marsh from Yuan Za JU;
水浒英雄在元杂剧与《水浒传》中的嬗变
6.
The Comparison of the Play of Shuihu and All Men are Brothers;
元杂剧水浒戏与小说《水浒传》比较
7.
Relationship between Shuihu multi-operas in the Ming Dynasty and Water Margin;
明代水浒杂剧与《水浒传》的关系度
8.
Gensou Suikoden Card Stories
幻想水浒传-卡片传说
9.
The Cohesive Relationship between Shu Hui Drama of the Yuan Dynasty and Shui Hu Zhuan;
试论元代水浒戏与《水浒传》之间的相承关系
10.
An ideological research and analysis of Water Margin in 20th century;
20世纪《水浒传》思想研究及《水浒传》思想论析
11.
Unique Exploration of the Artistic Charm of Book of Water Margin--Some Simple Comments about the Individual Legal Matter of the Book of Water Margin;
《水浒传》艺术魅力的独特探索—简评《〈水浒〉公案论》
12.
Yuan Dynasty Opera Based on The Water Margin and the Early development of Its Poetic Structure;
元代水浒戏与《水浒传》诗性结构的先期发育
13.
On the Heroine Images in the Novels of Shuihuhouzhuan,Houshuihuzhuan and Dangkouzhi;
论《水浒后传》《后水浒传》《荡寇志》中的女英雄形象
14.
The Comparison of Female Characters in the Play of Shui hu And in the All men are brothers;
水浒戏中的搽旦与《水浒传》中的女性形象
15.
The Interpretation of Shuihu Drama on the Water Margin in Ming Dynasty and Its Positive Significance
明人水浒戏对于《水浒传》的诠释及其积极意义
16.
A Comprehensive Study of Traditional Operas of "Water Margin" in Yuan Dynasty,Ming Dynasty and Qiing Dynasty --A review of Mr.Jiang zhijun s"On Traditional Operas of Water Margin;
一篇综论元明清水浒戏的力作——江蛰君先生遗稿《论水浒戏》读后
17.
The Hero's Beginning and Destination of "Outlaws of the Marsh"--new ponder on "Outlaws of the Marsh" of heroic nature debate
水浒英雄的起点与终点——《水浒传》英雄性质论争新思考
18.
The Folk Features of Seular Ethics and Group Selection of the Water Margin Heroes--and on the Brotherhood in the Water Margin
世俗伦理的民间特征与水浒英雄的群体选择——浅论《水浒传》的“义”