1.
Jane Austen and the Didactic Tradition of Women Novelists
简·奥斯丁与女性小说家的“说教传统”
2.
Elizabeth-the Wonderful Self-portrait of Jane Austen
伊丽莎白:简·奥斯丁绝妙的自画像
3.
Jane Austen s Complexity Revealed in Pride and Prejudice;
从《傲慢与偏见》中看简·奥斯丁的复杂性
4.
On Jane Austen s View of Marriage in Pride and Prejudice;
论简·奥斯丁在《傲慢与偏见》中的婚姻观
5.
The Gentlewomen in Jane Austen s Pride and Prejudice;
简·奥斯丁《傲慢与偏见》中的女性形象
6.
A General Discussion on Jane Austin s Marital Viewpoints from Pride and Prejudice;
从《傲慢与偏见》谈简·奥斯丁的婚姻观
7.
Pride and Prejudice --An Epitome of Jane Austen s Views of Marriage;
《傲慢与偏见》——简·奥斯丁婚姻观的缩影
8.
Views on Marrigage in Jane Austins Pride and prejudice;
简·奥斯丁在《傲慢与偏见》中的婚姻观
9.
Location and Literary Creation: Bath in the World of Jane Austen
地点与文学创作：简·奥斯丁世界里的巴斯
10.
On Jane Austen s Artistic Features in Perspective of Cooperative Principle;
从格赖斯合作原则看简·奥斯丁的语言艺术
11.
Jane Austen hurriedly replied, with as much trepidation as amusement.
简·奥斯丁又惊慌又感兴趣地急忙回答了问题。
12.
Jane Austen (1775-1817) ranks as a supreme mistress of comedy. Her gradual and steady reputation has proven her value as a great novelist.
简·奥斯丁(1775-1817)是英国文学史上一位伟大的作家。
13.
Irony In Jane Austin′s Emma
简·奥斯丁的小说《爱玛》中反讽的艺术特色
14.
The Aesthetic Space Extended by Tension--The Analysis of Austin s Irony Art;
张力扩展的审美空间——简·奥斯丁的反讽艺术探析
15.
On the Use of Irony in the Theme and Characters in Pride and Prejudice;
简·奥斯丁《傲慢与偏见》中反讽艺术的运用
16.
Jane Austen s Attitude towards Women s Position--in Sense and Sensibility;
简·奥斯丁的女性地位观——浅析《理智与情感》
17.
From Sense to Sensibility On Jane Austen s Turn of Female Aesthetics;
从情感到理智——论简·奥斯丁的女性审美转向
18.
On Jane Austen s Concern of Feminism in Pride and Prejudice;
试论简·奥斯丁在《傲慢与偏见》中的女性主义关怀