1.
About HUANG Dao-zhou's Music Aesthetics:A Comparison Between his Debates againt Ji Kang's Sound,no Sorrow or Joy
从《声无哀乐辩》与《声无哀乐论》的比较中看黄道周音乐美学思想
2.
Formulation of Music Function In Sound without Funeral Music;
《声无哀乐论》中关于音乐功能的阐述
3.
Music Aesthetic Ideas in Sound without Dirge;
《声无哀乐论》音乐美学思想研究述评
4.
Comments on “Music Has No Distinctions Between Happiness and Sorrow" by Ji Kang;
嵇康《声无哀乐论》的音乐思想简论
5.
On Music is Irrelevant to Grief or Joy-Analysis of Ji Kang' Music Aesthetics
从《声无哀乐论》看嵇康的音乐美学思想
6.
The implications of sheng in Music without Sadness and Happiness by Ji Kang;
《声无哀乐论》中“声”的三个层次
7.
Music with Sorrow"or"Music without Sorrow" --Comments on Manifestation and Expression Form of Music;
“声有哀乐”还是“声无哀乐”——论音乐的表现性和表现方式
8.
"Sounds Neither Sad Nor Happy" and the Development of the "Harmony Aesthetical Ideology" In Wei and Jin Dynasty;
“声无哀乐”与六朝“和”范畴的嬗变
9.
Aesthetic Ideology against Confucianism in Jikang s Sound without Dirge;
嵇康《声无哀乐论》中反儒学的美学思想
10.
The Harmony Aesthetical Ideology in Ji Kang s No Sadness in Music;
论嵇康《声无哀乐论》的“和”美学思想
11.
The Cause of “Music Has No Sorrow or Joy”and the Problem of its Valuation;
《声无哀乐论》的产生原因及其评价问题
12.
On Ji Kang s Philosophical and Aesthetic Thought that Music Embodies no Emotions;
论嵇康“声无哀乐”的哲学美学思想
13.
On the Expression of JI Kang′s Music Aesthetic Subject Ideas in “Sounds Without Sorrows” Theories;
论稽康音乐审美主体观在《声无哀乐论》中的体现
14.
On Ji Kang s Music Ideas--Questioning on Sound without Dirge;
嵇康音乐思想述评——兼及对《声无哀乐论》的质疑
15.
On the Otherness of the Musical Aesthetic Subject--From Ji Kang s Perspective of The Music is Irrelevant to Grief or Joy of;
从嵇康《声无哀乐论》看音乐审美主体的差异性
16.
A Study On “Sounds Neither Sad nor Happy” --From the Perspective of JI Kang s Aesthetic Thoughts;
“声无哀乐”之我见——从嵇康的音乐美学思想谈起
17.
On Ji Kang's Sheng-wu-ai-le-lun in the Perspective of Aesthetic Psychology
从审美心理学角度谈《声无哀乐论》之“音心”问题
18.
Subject and Object Reciprocate to Enjoy Harmonious Tone--Study Ji Kang‘s music appreciation theory from "Tone has no sadness or happiness;
主客互动悦和声——从《声无哀乐论》看嵇康的音乐欣赏理论