1.
From "Misty Poetry" to "Post Misty Poetry":the Transformation of Aesthetic Modernity
“朦胧诗”到“后朦胧诗”:审美现代性的转变
2.
The Misunderstood Post-obscure Poem Group--To Reassess Post-obscure Poem Group;
被误读的“后朦胧诗”群体——对“后朦胧诗”的重新认识
3.
N the Intersection of Art--Discuss "Obscure Poetry faction" of "post-modern" feature;
交叉点上的艺术——论“后朦胧诗派”的“后现代性”特征
4.
An analysis of the two poetry trends after misty poetry time;
“朦胧诗”后的两大诗歌写作倾向评析
5.
Crisis of "Colloquializing" Exploration in Poetry Since "Post Avant-Grade";
“后朦胧”以来诗歌“口语化”探索的危机
6.
A Summary View on the Impact of the Bible on Some "Obscure Poets" After the Cultural Revolution;
论《圣经》对文革后几位朦胧诗人的影响
7.
Original Creation and Experiment--The Art Tendency of Post-Misty Avant-garde Poetry;
原创与实验——朦胧诗后先锋诗歌的艺术趋向
8.
On the "Pre-Obscure Poems" in 1960-70s
1960-70年代“前朦胧诗”研究
9.
The Usual Doctrine Verse, which rose after the trend of Obscure Poem, plays a vanguard role for its exploratory significance.
日常主义诗歌是朦胧诗浪潮后兴起的具有探索意义的先锋诗歌。
10.
The Comparative Study on Obscure Poetry and the Western Modern Poetry;
朦胧诗与西方现代主义诗歌比较研究
11.
Contrast in the Manner of Monody between Poems of "Guilaizhe"and "Menglongshi";
论“归来者”诗与“朦胧诗”抒情方式的差异
12.
Discussion on the misty poetry controversy of Shu Ting s poesy criticism;
论“朦胧诗”论争中的舒婷诗歌批评
13.
On the aesthetic pursuit of the misty poetry and the influences on modern poetry;
谈朦胧诗美学追求对当代诗歌的影响
14.
Comparision and Contrast of the Drigins and Internal Aesthetic Meanings of Symbolic and Misty Poetry;
象征诗与朦胧诗渊源及审美意蕴比较
15.
Contrast in the Subject of Monody Between Poems of "Coming-Back Person" and "Misty Poetry"
论“归来者”诗与“朦胧诗”抒情主体的差异
16.
in it he could already hazily discern a real poem.
他已经朦胧地读到了一首真正的诗篇。
17.
Shu Ting is one of the key figures who created obscure poems.
舒婷是朦胧诗派的核心人物之一。
18.
On the Controversy on the Misty Poetry in the History of the Contemporary Chinese Literature;
论中国当代文学史上的“朦胧诗”论争