1.
Wizardly Dancer--The Spiritual Origin Of Classicality Drama Of India;
神奇的舞者——印度古典戏剧精神寻源
2.
"Sakoontala",Dressing up in the Chinese Drama Clothes--A Comparison and Contrast of the Indian Classic Drama and Chinese Drama from the Chinese Translation of "Sakoontala";
穿上中国戏服的“沙恭达罗”——从译本看印度古典戏剧与中国戏曲之异同
3.
A Study of the Relationship between Ancient Chinese and Indian Dramas;
梵声佛曲与汉辞华章——中印古典戏剧因缘
4.
Natyasastra and Peri Poietks-On the Difference and the Similarity in the Actions of Drama between Ancient Indian and Ancient Greek Operas;
《舞论》与《诗学》——论古印度和古希腊戏剧情节观念之异同
5.
What s the Meaning of 没查没利 in Classical Dramas?;
古典戏剧中的“没查没利”是什么意思
6.
On Public Taste and Happy Ending of Chinese Classical Drama;
大众品位与中国古典戏剧大团圆结局
7.
On the Express and its Significance of Dream in the Ancient Chinese Drama;
论中国古典戏剧中梦的表现及其意义
8.
The Criteria of Tragedy in Chinese Classical Dramas;
关于中国古典戏曲中悲剧标准的探讨
9.
The Origin of Ancient Qilu Drama and the Prosperity of Shandong Yuan Drama--One of the Discussions of Ancient Qilu Drama;
齐鲁古典戏曲溯源及山东元杂剧兴盛初探——齐鲁古典戏曲述略之一
10.
The catalyzing of western drama to the"modernization/of Chinese classical drama advancement;
西方戏剧对中国古典戏曲“现代化”进程的催化
11.
On the Female Imagery in Shakespearean Drama and Chinese Drama;
所谓伊人——从塑造女性形象的意象看莎士比亚戏剧和中国古典戏剧
12.
More Survey on the Source of Classical Chinese Drama Said Coming from Indian Sanskrit Drama;
“中国戏曲源于印度梵剧说”再探讨
13.
a style of theatrical dancing that is not as restricted as classical ballet; movements are expressive of feelings.
一种戏剧性的舞蹈它不象古典芭蕾那么严肃。
14.
ode sung by the chorus in classical Greek drama.
由合唱队在演古典希腊戏剧时唱的颂诗。
15.
Restriction and Breakthrough and Their Theoretical Significance in Classical Chinese Dramatic Forms;
中国古典戏剧形式的限制、突围与理论意义
16.
A Comparative Study of Characters Self-introductions in Classical Chinese and Japanese Drama;
中日古典戏剧中登场人物“自报家门”的程式比较
17.
The Comparison between Xiaxie Novels and Dramas about Prositute in Classical Literature of China;
中国古典戏曲中“青楼剧”与晚清狭邪小说之比较
18.
The Acceptance and Expandedness of the Tradition of Western Classical Drama from Yang Limin
杨利民对西方古典戏剧传统的接受与拓展