1.
Poetry Ontology of the School of Modern Poetry Under the Perspective of the Inter-subjectivity
主体间性视域下的现代诗派诗学本体论
2.
"The Genre" and "the Form"-A Review on Text Study of Chinese Poetry;
“体”与“式”——中国诗学的文本范型论
3.
Symbol: Sign and Metaphor --Discussion of the poetic origin of symbol of ontology;
象征:符号与隐喻——象征本体论诗学探源
4.
The Ontology of Story: The Profundity of Wang Meng′s Ontological Poetics
故事的形而上:王蒙本体论诗学奥蕴
5.
Further Discussion on the Poetic Value of CHEN Yin-que s Commentary on Tang poems;
诗境营造和人生本体对象化——陈寅恪唐诗笺证的诗学价值四论
6.
On the Standard and Evolution of Poetic-style of Chinese Ancient Poetry in Liuxie Poetry Ontology;
论刘勰诗本体论诗体的规范与进化观
7.
Ontological Meaning of "Bi/Xing" to Chinese Classical Poetry;
试论比兴修辞对于中国古典诗学的本体论意义
8.
ON THE POETICS PROPER AND THE AESTHETIC PRINCIPLES CONTAINED IN ZHONGXING JIANQI JI;
试论《中兴间气集》的诗学本体与审美准则——兼及中唐前期之诗学旨趣
9.
Aesthetic Features and Prosody Construction of Modern Chinese Poetry--Taking Collection of SHEN Qi s Theories on Poetry as A Sample;
重涉典律与现代汉语诗歌的本体建设——从《沈奇诗学论集》谈起
10.
The Reason for Art --From the Perspective of Ontological Poetics;
艺术的理由——重申本体论诗学的一种路径
11.
Annotated Edition and Academic Idea on The Book of Songs of the Mohist School--Also on the Academic System of The Book of Songs in the Period of Warring States
墨家的传《诗》版本与《诗》学观念——兼论战国《诗》学系统
12.
WORDSWORTH S POETICAL ON TOLOGICAL RECOGNITION OF PLEASURE AND CHINESE QIONGGONG POETICS;
华兹华斯诗学:快乐的本体论认定——兼论韩、欧等“穷工论”的区别
13.
Rule and change: the Standard and Evolution of Poetry On Liu xie Poetic-style idea of His Poetic Ontology;
有方与通变:诗体的规范与进化──论刘勰诗本体论中的诗文体观
14.
On the Poetic Tendency of HANG Yan’s Theory of Ci and the Mastery of the Essential Feature of the Style of Ci;
略论张炎词学理论的诗化倾向与对词体本质特征的把握
15.
Tao s Movement between Man and Language: Heidegger s Linguistic Ontology for Poetry;
“大道”在人-言之际的双向运作——论海德格尔的语言本体论诗学观
16.
On Life-Being as a New Noumenon of Aesthetics;
深情呼唤生活诗学——试论生活存在作为美学的一种新本体
17.
Publication of Sex Language of Female s Life Noumenon--On Poetic Theory of Female s Voice;
张扬女性生命本体的性别语言——论“女性声音的诗学”
18.
The Aesthetic Posture of Gender Antagonism--Discussing the Nominal Character of Feminine Poetics;
性别对抗的审美姿态——论八十年代女性诗学的本体特征