1.
On Zhong Dian-fei s View on Film Aesthetics and His Personality;
论钟惦棐的电影美学观念和人格精神
2.
On the Zhang Yimou Film Aesthetics and Practice of the Concept Constitutes
论张艺谋电影美学观念及其实践构成
3.
On Ying Yunwei s Aesthetic Ideas of the Traditional Opera films;
在舞台和银幕的契合点上寻觅艺术归宿——应云卫戏曲电影美学观念探微
4.
The Views and Characteristics of Chinese Movie Aesthetics in Early Half of 20th Century;
20世纪前半期中国电影的美学观念及特征
5.
From "Auxiliary" to "Image Thinking Aesthetics" --the Change of Ideasabout Movie Class in Primary and Middle Schools;
从“辅助”到“影像思维美”——中小学电影课在当代的观念转型
6.
Doctrine Carrying:Function View of Chinese Movie--On the Influence of"Taoist Orthodoxy"Concept on Chinese Movie and Movie Aesthetic;
载道：中国电影功能观念——“道统”观念对中国电影及电影审美观念的影响述略
7.
Effects Of The Activity of Calisthenics On College Students Self-Concept;
健美操运动对大学生自我观念的影响
8.
Arguments on the Concept of "Spectacle" in Film Studies and Its Practical Value
电影学“景观”概念的论争与实践价值
9.
Theories About Aesthetics Of Commonalty Cine--Commemoration Of 100th Birthday Of Chinese Film;
论“大众电影美学”——纪念中国电影诞生一百周年
10.
Aesthetic Surpassing of Traditional Culture and Modern Spirit--On Xie Jin s Film Creation Concept;
传统文化与时代精神的审美超越——谢晋电影创作观念略论
11.
Americans do not how many false no6ons are put into peoples head by American movies.
美国人不知道有多少错误的观念被美国电影灌输入美国人的脑海里。
12.
The negative effects of Beauty Economy on girl college students and their soluti ons analysis;
美女经济对女大学生价值观念的不利影响及对策分析
13.
Viewing the modern influences of ancient prose from Zhu Ziqing s literary sense and his beautiful literary creations;
从朱自清的文学观念和美文创作看古代散文的现代影响
14.
Many films made abroad enrich the American screen with new faces and new ideas.
许多在国外制作具有新影星和新观念的影片，使美国的电影更为充实。
15.
Change of Film Reflection Concept Bringing from Digital Technique;
数字技术带来的电影影像观念的变化
16.
The Transition Analysis of the Aesthetic Conception under the Influence of Network Media
网络媒介影响下的审美观念转型分析
17.
The Influence of Charles Chaplin’s Film Comedy upon the Ideas of Early Chinese Films;
卓别林喜剧电影对中国早期电影观念的影响
18.
The Literature of“ Mandarin Duck and Butterfly School” and the Ideas of Early Chinese Melodrama Film;
“鸳鸯蝴蝶派”文学与早期中国电影情节剧观念的确立