1.
Zhou Xinfang performs in the Shanghai opera style rather than the Beijing opera style.
周信芳在京剧流派中是属于海派而不是京派。
2.
Today, snuff-bottle pictures fall into three different categories --the Jing (Beijing), Ji (Hebei)and Lu (Shandong).
我国的内画技艺主要分为京派、冀派、鲁派三大派。
3.
Cultural phenomenon as an alternative in the leased territories--A contrastive study of the schools of Beijing and Shanghai;
租界文化作为京派的“他者”——从京海派论争来看
4.
A Talk on the Essential Traits of the“Beijing”School of Literature;
从自由看“京派”——论“京派”文学观念的本质特征
5.
The Different Writing of Modernity in China: Shang Hai School and Beijing School (1930-1937);
书写不同的现代性：京派与海派（1930-1937）
6.
Relatively Study in Modern s Psychological Perspection of Beijing School and Shanghai School;
“京派”、“海派”现代人心理透视比较研究
7.
Ideas and Historical Facts--Rectification and Restoration of "Peking School";
观念与史实——“京派”之派的辨正与还原
8.
"Beijing Faction" and "Shanghai Faction" In Urban Culture During the May 4~(th) Movement;
“五四”都市文化关照下的“京派”与“海派”
9.
On the Peripheral Status of the Peking and Shanghai School in the 1930s;
论“京派”与“海派”创作的话语边缘性
10.
A Comparative Study on Beijing-sitcom, Shanghai-sitcom and Their Cultural Backgrounds;
京派海派情景喜剧及其地域文化背景比较研究
11.
On the "Beijing School" and the "Shanghai School" under Shen Congwen s View of Serious Literature;
沈从文严肃文学观观照下的京派和海派
12.
The tragedy of Beijing Group is implicative- the smiling tragedy.
京派的悲剧是含蓄的，是“微笑的悲剧”。
13.
Feiming and the Early Beijing School Writers During the Camel Grass Period;
《骆驼草》时期的废名与前期京派文人
14.
The Extraordinary Nature Life of Jing Group and the Ideal Personality of Taoist;
京派小说的“异秉”人生与道家理想人物
15.
Four Modes of the Made-up World of Beijing Poem Fictions;
论京派诗话小说虚构世界的四种方式
16.
On ethnological features of Beijing-styled fictions;
试论京派小说形象系统的民族化特色
17.
The Intention-Expressing Feature of Beijing-School Novels and its Contributions to the Contemporary Literature;
京派小说的写意特征及其文学史意义
18.
On the Novels of Beijing School Aesthetics and Recollection;
回忆的诗学——京派小说审美回忆论