1.
Comparison of the Aesthetic Expression between Chinese Opera and Western Opera;
中国京剧与西方歌剧审美表现之比较
2.
Initial Researches on the Comparison between Chinese Drama and Western Opera;
戏中曲与歌中剧——中国戏曲与西方歌剧比较初探
3.
The Development of History about Western Opera in Baroque Period;
巴洛克时期西方歌剧艺术的历史发展
4.
The Origin and the Development of Leitmotif;
西方歌剧Leitmotif(主题)技巧的起源与发展
5.
Accepting Western Operain China and Japan Through Analysing Yuan Ye and the Twilihgt Heron;
从《原野》与《夕鹤》看中日两国对西方歌剧的接受
6.
Congruence & Appropinquity:O. Messiaen's Franziskus von Assisi
叠合与接近:梅西昂歌剧《阿西西的圣方济各》
7.
On the Performing Art of the Traditional Chinese Opera and Opera from the Perspective of Chinese and Western Thinking Approach;
从中西思维方式看戏曲与歌剧表演艺术
8.
From Shakespeare to Yuefu Songs in Han Dynasty;
从莎士比亚戏剧到汉乐府诗歌——论东西方爱情悲剧观之异同
9.
Expressiveness in Rossini s Opera Arias;
罗西尼歌剧咏叹调的戏剧化表现功用
10.
Absorption of Western Opera s Dominant Factors by Music Creation for Chinese Opera;
中国歌剧音乐创作对西洋歌剧优势因素的吸收
11.
A Brief Account to the Influence of Western Operas on Modern Chinese Operas;
浅论西洋歌剧对中国现代民族歌剧的影响
12.
Opera stars;an opera libretto.
歌剧名星，歌剧的歌词
13.
Operatic offerings included a newly commissioned production of the Cantonese opera Till the Sea Runs Dry and the Italian opera Aida.
歌剧方面则有新制作的粤剧"张羽煮海"及意大利歌剧"阿伊达"。
14.
The Comic Factor Study of Rossini I1 Barbiere Di Siviglia
罗西尼歌剧《塞维利亚理发师》喜剧因素研究
15.
Introduced into China with Western literary thoughts during the May4 Movement, Western operas have since attracted Chinese attention.
西洋歌剧在“五四”新文化运动中，随着西方文艺思潮的涌入而进入中国，并逐渐受到国人的注意。
16.
another used traditional grand Western opera for reference,
一种以传统的西洋大歌剧为参照系，
17.
Tessie was the hottest singer in show business.
特西是影剧界最红的歌星。
18.
The Deveopment of Recitative in Western Opera of the 17-19th Centuries
宣叙调在17-19世纪西洋歌剧中的演变