1.
American styling and European functionalism are the two leading schools of modern design.
美国的式样主义设计和欧洲的功能主义设计构成现代设计的两大主要流派。
2.
Hu Feng s Realism:Placing oneself as Blooming of Existence;
胡风的现实主义:置身作为存在样式的开放
3.
Formalism is a kind of bureaucratism.
形式主义也是官僚主义。
4.
Marxist Ontological Signification of Methodology and Its Various Paradigms--Introduction and Comment of Jameson s Marxism View;
马克思主义方法论的本体蕴义与范式表现的多样性——詹姆逊的马克思主义观述评
5.
How to Interpret the Socialist Concept from the Perspective of Democratic Socialism;
怎样认识民主社会主义的社会主义观
6.
I now want to discuss the ways subjectivism and sectarianism use stereotyped Party writing (or the Party "eight-legged essay") as their instrument of propaganda or form of expression.
我现在想讲的是：主观主义和宗派主义怎样拿党八股做它们的宣传工具，或表现形式。
7.
Bureaucratic leadership cannot be tolerated in economic construction any more than in any other branch of our revolutionary work.
官僚主义的领导方式，是任何革命工作所不应有的，经济建设工作同样来不得官僚主义。
8.
The philosophy world has a variety of understandings of Marxist philosophy.
哲学界存在着对马克思主义哲学的各式各样的理解。
9.
American styling differs from functionalism for its faddism and styling.
与功能主义不同，美国设计追求式样，引导消费，形成自己的独有特点。
10.
On the Formalism and Anti-formalism in the Legal Methods;
法律方法中的形式主义与反形式主义
11.
New Democratic Society and New Mode of Capitalism;
新民主主义社会与“新式资本主义”
12.
Contemporary feminist theory, in its various forms, faces what could be termed a “crisis of definition” with vigor and resourcefulness.
当代多样形式的女性主义理论，面临所谓的充满活力富于想象的“定义危机”。
13.
Contrasting with many explored forms on literature, main trend literature often reveals life by realism.
相对于各种各样文学形式的探索，主旋律创作以质朴的现实主义手法反映当下生活。
14.
of or characterized by or adhering to ritualism.
仪式主义的，有仪式主义特点的，或坚持仪式主义的。
15.
liberal, totalitarian, parliamentary, etc government
自由主义的、 极权主义的、 议会式的...政体.
16.
Studies on Narrative Modes: Constructionism and Postconstructionism;
叙事模式研究:结构主义与后结构主义
17.
Overcoming the Formalism and Bureaucracy,Building The Close Party-masses Relatio nship;
克服形式主义、官僚主义,密切党群关系
18.
Poetry As The Language Itself--From Symbolism To Formalism;
作为语言的诗——从象征主义到形式主义