1.
Reflections on the Characteristic of Erbuji and Its Relation with Duobuji;
论唐代二部伎的性质及其与多部伎的关系
2.
For instance, the wrestling dance and folk dance of the Qin and Han dynasties, the Nine Parts and Ten Parts dances, the Sitting and Standing Parts dances of the Sui and Tang dynasties,
例如秦汉的甬抵百戏、散乐杂伎，隋唐的九、十部伎，坐、立部伎，
3.
The Sitting Part Jiyue performers played in the front of the court and there were just six parts of them.
坐部伎在堂上演奏，规模较小，共六部。
4.
The Standing Part Jiyue performers had eight parts and played beyond the sitting performers.
立部伎共八部，在堂下表演，规模较大。
5.
This showed that the artistic level was the highest with the Sitting Part Jiyue performers.
可知坐部伎人的艺术水平是最高的。
6.
The Origin, Evolution and Spread of "Sitting and Standing Skill" in Tang Dynasty;
唐代“坐、立部伎”的起源、沿革及流传
7.
Some Issues on"Sitting and Standing Performance"of Yanyue in the Tang Dynasty;
关于唐代燕乐“坐、立部伎”的几个问题
8.
You two went to geisha boot camp? How hard was it to learn to be geisha?
你们两个都参加了艺伎训练，是吧？成为一名艺伎有多难呢？
9.
She tried many ploys to get the boy interested in her.
她试过很多伎俩去赢取男孩的青睐。
10.
She tried many ploy to get the boy interested in her
她试过很多伎俩去赢取男孩的青睐
11.
3.pick-pockets gang up to commit crimes and have anti-investigating trick;
(三)结伙作案多,具有一定的反侦查伎俩;
12.
The repertoire of the court Yanyue mainly consisted of the Nine and Ten Parts Jiyue.
宫廷燕乐所表演的节目主要有九、十部伎，
13.
It was a stratagem cadres sometimes used to buy things for themselves.
很明显，这是干部们为了中饱私囊使出的伎俩。
14.
The more entertaining dances in this period were the Sitting and Standing Part Jiyue and the Singing and Dancing Daqu (big show).
这一时期娱乐性更强的是坐、立部伎和歌舞大曲。
15.
A Comparison of"Eight-Note Seated Singing"of the Bouyei Nationality with the"Zuo Bu Ji"of Yan Music of the Tang Dynasty
布依族“八音坐唱”与唐代燕乐“坐部伎”之比较
16.
It was the genre to keep the Jiyue performers, who could range from just a few to a dozen, and even to thousands.
蓄伎之风盛行。多者成百上千，少者数人、数十人，
17.
The New Tang annals: History of Rites and Music recorded that Taichang (the minister in charge of music and dances) gave regular exams to the Sitting Part Jiyue performers,
《新唐书.礼乐志》载:太常(主管乐舞的大臣)考核坐部伎，
18.
The imperial court had the imperial performers, the army camp had the camp performers, the local governments had official performers, and private homes had family performers.
宫廷有宫伎，军营有营伎，官府有官伎，私家有家伎，