1.
On the Decline of Images In the Paintings of “Eight Eccentrics of Yang zhou”;
试议“扬州八怪”艺术中绘画形象的式微
2.
From“the Painting of the Image”to“the Image of the Painting” --On the Creation of the “Instrument Serial”;
“形象的绘画”到“绘画的形象”——从“乐器系列”创作谈起
3.
The White Elephants Images on the Bricks of West Jin Dynasty Excavated from Dunhuang Area;
敦煌西晋画像砖所绘“白象”形象溯源
4.
In the drawing, they were pictured against the calm sea.
在绘画中，他们被描绘成背靠平静大海的形象。
5.
The Images and Functions of the Rainbow God on the Stone Relies from the Han Dynasty;
试论汉代绘画中的虹神形象及其功能
6.
Talking about the Intension of the Image of "Black Bamboo" in the Paintings of Chinese Scholar;
试论中国文人绘画中"墨竹"形象的内涵
7.
Coloring and Likeness to Vivid Character-the Fine Art and Viewing a Painting;
赋彩象形 气韵生动——绘画艺术与鉴赏
8.
On artistic synaesthesia between music and painting;
画形于无象 造响于无声——论音乐与绘画之通感
9.
Beijing Opera Characters in the Painting in the Form of Research Performance
京剧人物形象在绘画中的表现形式研究
10.
The Fusion of Image And Form--Enlightenment From The Drawing of Ba Da Shan Ren;
意象与形式的融合——八大山人绘画的启示
11.
The Images of Femininity in Picasso s Cubism Paintings;
毕加索立体主义绘画中女性形象的审美韵致
12.
On the Artistic Beauty of Form --a Reflection on Some Phenomena at Present;
简论绘画的形式美——对当前某些现象的思考
13.
The Abstraction of the Concrete Drawing And the Concretion of Abstract Drawing;
具象绘画的抽象性与抽象绘画的具象性
14.
Revealing the Scene that Covers the Human Fate--Francis Bacom and His Image Oil Painting
揭开人的命运被遮盖的景象——弗朗西斯·培根及其形象绘画
15.
aBstract painting and sculpture.
抽象派的绘画和雕塑
16.
apotropaic imagery
用以辟邪的抽象绘画
17.
As an independent drawingstyle, abstract drawingoccupies a more and more important place in the field ofplastic arts.
抽象绘画作为一种独立的绘画形式,在造型艺术领域占有着越来越重要的位置。
18.
On Wu Changshuo s Aesthetic Thought of"Draw Qi not Draw Shape";
论吴昌硕“画气不画形”的绘画美学思想