1.
What s the Meaning of 没查没利 in Classical Dramas?;
古典戏剧中的“没查没利”是什么意思
2.
Wizardly Dancer--The Spiritual Origin Of Classicality Drama Of India;
神奇的舞者——印度古典戏剧精神寻源
3.
On Public Taste and Happy Ending of Chinese Classical Drama;
大众品位与中国古典戏剧大团圆结局
4.
On the Express and its Significance of Dream in the Ancient Chinese Drama;
论中国古典戏剧中梦的表现及其意义
5.
On the Female Imagery in Shakespearean Drama and Chinese Drama;
所谓伊人——从塑造女性形象的意象看莎士比亚戏剧和中国古典戏剧
6.
Restriction and Breakthrough and Their Theoretical Significance in Classical Chinese Dramatic Forms;
中国古典戏剧形式的限制、突围与理论意义
7.
A Study of the Relationship between Ancient Chinese and Indian Dramas;
梵声佛曲与汉辞华章——中印古典戏剧因缘
8.
A Comparative Study of Characters Self-introductions in Classical Chinese and Japanese Drama;
中日古典戏剧中登场人物“自报家门”的程式比较
9.
The Acceptance and Expandedness of the Tradition of Western Classical Drama from Yang Limin
杨利民对西方古典戏剧传统的接受与拓展
10.
The Model of Settling the Conflict between Classic Dramaticism and Romantic Lyricism--Brahms Sonata;
化解古典戏剧性与浪漫抒情性矛盾的典范——勃拉姆斯的奏鸣曲
11.
The Enlightening of Human Nature:Analyses the Aesthetics Character of the Popularization Classicial Drama --The Third Disquistion On Compared Leixin and Liyu s Character of Classicial Drama Aesthetics;
人性的启蒙:古典戏剧通俗化倾向的美学特征——莱辛与李渔戏剧美学比较之三
12.
The Unique Summit of the Plot-Arrangement Art in the Classic Chinese Dramas :Xi xiang ji Viewed according to Plot Theories of the European Traditional Dramas;
中国古典戏剧情节艺术的孤独高峰——从欧洲传统戏剧情节理论看《西厢记》
13.
"Sakoontala",Dressing up in the Chinese Drama Clothes--A Comparison and Contrast of the Indian Classic Drama and Chinese Drama from the Chinese Translation of "Sakoontala";
穿上中国戏服的“沙恭达罗”——从译本看印度古典戏剧与中国戏曲之异同
14.
Relevance Perspective: The Reconstruction for Cultural Default in Chiniese Classical Drama Translation;
关联理论视阈下中国古典戏剧翻译的文化缺省与重构
15.
On the "Taoism" in Sino-Japanese Classical Dramas;
道脱与哀实的舞台显出——试论中日古典戏剧中的“道”
16.
"Transfixion One Clue all along" Structure Concept --By dint of <Wen Xin Diao Long · FuHui> to Analyse the Composition theoretics in Chinese Classicality Drama;
“一线索到底”的结构观——从《文心雕龙·附会》观中国古典戏剧布局理论
17.
The Criteria of Tragedy in Chinese Classical Dramas;
关于中国古典戏曲中悲剧标准的探讨
18.
The Origin of Ancient Qilu Drama and the Prosperity of Shandong Yuan Drama--One of the Discussions of Ancient Qilu Drama;
齐鲁古典戏曲溯源及山东元杂剧兴盛初探——齐鲁古典戏曲述略之一