1.
Poetry Ontology of the School of Modern Poetry Under the Perspective of the Inter-subjectivity
主体间性视域下的现代诗派诗学本体论
2.
ON THE POETICS PROPER AND THE AESTHETIC PRINCIPLES CONTAINED IN ZHONGXING JIANQI JI;
试论《中兴间气集》的诗学本体与审美准则——兼及中唐前期之诗学旨趣
3.
From Group Poetics to Personal Poetics: A Basic Rule in the Development of the Preliminary Poetic History;
从群体诗学到个体诗学——前期诗史发展的一种基本规律
4.
Further Discussion on the Poetic Value of CHEN Yin-que s Commentary on Tang poems;
诗境营造和人生本体对象化——陈寅恪唐诗笺证的诗学价值四论
5.
"The Genre" and "the Form"-A Review on Text Study of Chinese Poetry;
“体”与“式”——中国诗学的文本范型论
6.
Symbol: Sign and Metaphor --Discussion of the poetic origin of symbol of ontology;
象征:符号与隐喻——象征本体论诗学探源
7.
The Ontology of Story: The Profundity of Wang Meng′s Ontological Poetics
故事的形而上:王蒙本体论诗学奥蕴
8.
Aesthetic Features and Prosody Construction of Modern Chinese Poetry--Taking Collection of SHEN Qi s Theories on Poetry as A Sample;
重涉典律与现代汉语诗歌的本体建设——从《沈奇诗学论集》谈起
9.
Observation of Ideology and Poetics in a Dream of Red Mansions;
意识形态及诗学在《红楼梦》译本中的体现
10.
Ontological Meaning of "Bi/Xing" to Chinese Classical Poetry;
试论比兴修辞对于中国古典诗学的本体论意义
11.
The Reason for Art --From the Perspective of Ontological Poetics;
艺术的理由——重申本体论诗学的一种路径
12.
The Poetized Philosophy of Qu Yuan -The contemporary expatiation on noumenal sense of Qu Yuan;
屈原的诗化哲学──屈原辞本体意蕴的现代阐释
13.
On the Standard and Evolution of Poetic-style of Chinese Ancient Poetry in Liuxie Poetry Ontology;
论刘勰诗本体论诗体的规范与进化观
14.
Interpreting "Transformation of Poem Style" -Concepts of Poet History in Chinese Poetics;
释“诗体正变”——中国诗学之诗史观
15.
Annotated Edition and Academic Idea on The Book of Songs of the Mohist School--Also on the Academic System of The Book of Songs in the Period of Warring States
墨家的传《诗》版本与《诗》学观念——兼论战国《诗》学系统
16.
Evolution of the view of literature proper and changes in the poetic styles during the Tang Dynasty;
三唐五体:唐代文学本体观念的演变与诗风的变迁
17.
On Life-Being as a New Noumenon of Aesthetics;
深情呼唤生活诗学——试论生活存在作为美学的一种新本体
18.
Different Poesy Attitudes of "Anthologies" to "3rd Generation Poems";
“选本”对“第三代诗歌”的不同诗学态度