1.
On Showing the Spirit in Painting--from Gu Kaizhi's ‘Showing the Spirit through Depicting the Form' to Shi Lu's ‘Constructing the Form with the Spirit’
论画道畅神——从顾恺之“以形传神”到石鲁“以神造型”
2.
A Brief Analysis To the Approa Ches of Applying the Mixure of Sorrow and Joy And the Enchanting By Forms In《The Wishes》;
《祝福》中哀乐互设、以形传神的艺术技巧
3.
The influential factors of freehand brushwork
写意人物画的以形传神影响因素研究
4.
To Describe the Essence from Its Appearance and to Achieve a Perfect Combination between Its Appearance and Its Essence On the Design Art of Nanyang Stone and Brick Carvings in Han Dynasties;
以神写形 以形传神——论南阳汉画像砖石图案审美艺术
5.
Mythology often transmits some of this knowledge in symbolic form.
神话常常以符号形式来传递一些这样的知识。
6.
An Attempt to Analyse the Category of Form and Spirit in Chinese Traditional Culture by Means of Systematology;
试以系统论解析中国传统文化中的形、神范畴
7.
Variation and Development of Chinese Painting Theory of Shape and Spirit;
意得神传 笔神形似——浅析中国画论的形神论
8.
Mortal s Legends and Tourism Image Plan for HCC: Taking Yibin as an Example;
神话传说与历史文化名城旅游形象策划——以宜宾为例
9.
On Distortion of Goddess Worship in Xiaohong’s Novels--Taking Back Garden and The Hulan River for Example
论“女神祟拜”在萧红小说中的变形——以《后花园》、《呼兰河传》为例
10.
He paid considerable attention to the vivid expressions of the figures to show their spirit.
他主张要形神兼备，更重传神。
11.
Spirit-oriented Conveyance of Meaning--Reflection on Wang Rongpei's English Rendering of Tao Yuanming's Poems Flesh,Shadow and Spirit
传神达意——读汪榕培英译陶渊明《形影神》
12.
encarnalize divinities
赋予神灵以人的形性
13.
The art of China is written the good with the shape ,Alike in spirit in order to be similar to reaching ,the similar of spirit is more important than that of the shape .
中国艺术以形写神 ,以形似达到神似 ,神似重于形似。
14.
Shi shuo xin yu express people s spirit by describing the natural scenery;
论《世说新语》的以形写神贵神明——借景物以衬神明
15.
On the idea of shen (spirit) in the Dong-po s Commentaries on the Yi;
“志气如神”与“以神行智”论——《东坡易传》中“神”的观念
16.
"What leaf-fringed legend haunts about thy shape Of deities or mortals, or of Both, In Tempe or the dales of Arcady?"
在你的形体上,岂非缭绕着古老的传说,以绿叶为其边缘;讲着人,或神,敦陂或阿卡狄?
17.
Since ancient times, Chinese women have undertaken heavy jobs in silkworm rearing and silk weaving. The legendary silkworm goddess refers to the incarnation of the image of woman.
自古以来,妇女在蚕织劳动中担负着艰巨的工作,而传说中的蚕神,也往往是妇女形象的化身。
18.
The craftsmanship of the traditional water block printing was exquisite,and copying technology had reached a level of fidelity.
朵云轩传统的木版水印工艺精湛绝伦，复制艺术的水平达到了形神兼备以至乱真的境地。