1.
The research on the Violence film s social influence by the analysis of the plots migrating--With Jia Zhangke two group scenes as the example;
由情节迁徙谈暴力电影发生社会影响的一种方式——以贾樟柯作品的两组镜头为例
2.
The Burden of Reality--On the Themes of JIA Zhang-ke s movies;
存在的负担——贾樟柯电影剧作的主题分析
3.
Dilemmatic Choice of China s Film--The Comparative Study of Zhang Yimou s Films and Jia Zhangke s Films;
当代中国电影的两难选择——张艺谋和贾樟柯电影创作的比较研究
4.
From Nobody to Being Publicly Accepted--On Movie Director Jia Zhangke;
从地下走出来的导演——讲解贾樟柯
5.
Reatise on Aesthetic Features and Cultural Connotations of Jia Zhangke's Film
论贾樟柯电影的美学特征与文化内涵
6.
A Distinctive Narrative--An narrative Analysis of Jia Zhangke's Underground Films
另类叙事——贾樟柯地下电影的叙事分析
7.
Civilian s "Epic": Study of the Narrative Art of Jia Zhangke s Films;
小人物的“史诗”：贾樟柯电影的叙事艺术研究
8.
Jia Zhangke’s Good Men along the Three Gorges Interpreted;
底层镜像的诗意呈现——解读贾樟柯的《三峡好人》
9.
Lonely Seekers--Tactics of Loneliness in the Films Directed by JIA Zhangke
孤独的寻找者——论贾樟柯电影中的孤独策略
10.
From" the Edge" to"the End" Comments On the Fate of the Characters in the Film of Director JIA Zhang-ke
从“边缘”到“末路”——论贾樟柯电影中的人物命运
11.
Literary Narrative Study of Chinese Films on Social Floaters--Take Jia Zhangke s "Hometown Trilogy" as the Example;
华语游民电影的文学叙事研究——以贾樟柯“故乡三部曲”为例
12.
Life Is Elapsing--About the Narrative Aesthetics of the Films by Jia Zhang-ke;
生命,在不知不觉中流失——贾樟柯电影叙事美学识小
13.
From the "Post Yellow Land" to the "Post Jia Zhang-ko"--A Probe into the Aesthetics and Industrial Strategy of the Sixth Generation of Films;
从“后《黄土地》”到“后贾樟柯”时代——第六代电影美学与产业发展略论
14.
Movies in the Cultural Context of the "World Image"--JIA Zhang-ke s Movie The World as an Example;
“世界图像”文化语境中的电影——以贾樟柯的影片《世界》为例
15.
"Fantasy" of Existence and "Misword" on the Border--Walking in The World by Jia Zhang-ke;
生存的“荒诞”与边缘的“失语”——在贾樟柯的《世界》里游走
16.
Caught Between the Local and the Global: Anxiety and Uncertainty in Jia Zhangke s Films;
本土与全球的纠葛:贾樟柯电影中的焦虑与不确定性
17.
Jia Zhang-ke Films on the Cultural Landscape of Small and Medium-sized Cities and Towns to Build the Image-- To Trilogy home as an example
论贾樟柯电影中小城镇文化景观的影像建构——以《故乡三部曲》为例
18.
Comments on Jia Zhangke's Story Film during the Last 10 Years
贾樟柯十年故事电影述评:平民历史的现代空间型叙事