1.
History of Chinese Classical Dramatic Theory
中国古典戏曲理论史
2.
The Research on the Development of Play-within-a-play in Chinese Classical Dramas;
中国古典戏曲中“戏中戏”的发展研究
3.
Preference of Histrionics over Literature in the Aesthetics of Chinese Traditional Theatre;
论“重演轻戏”的中国古典戏曲审美主张
4.
The Origin of Ancient Qilu Drama and the Prosperity of Shandong Yuan Drama--One of the Discussions of Ancient Qilu Drama;
齐鲁古典戏曲溯源及山东元杂剧兴盛初探——齐鲁古典戏曲述略之一
5.
Influence and Infiltration of Chinese Classical Operas on Classical Novels;
论中国古典戏曲艺术对古典小说的渗透与影响
6.
A Special View to the "Perfect Ending" in Chinese Classic Drama Novels;
中国古典戏曲小说“大团圆现象”管窥
7.
On the Make-up and Modeling of the Characters in TV Theatrical Films;
浅谈古典戏曲电视片的人物化妆造型
8.
The Criteria of Tragedy in Chinese Classical Dramas;
关于中国古典戏曲中悲剧标准的探讨
9.
The "originally simplicity approach"in theories about Chinese classical opera;
中国古典戏曲理论中的“当行本色”论
10.
The Statement "Zhong Jiqu" of Li Yu And "Bense Lun" in Operatic Criticism of Ming Dynasty
李渔“重机趣”说与古典戏曲“本色”的探求
11.
On the Function of Chinese Opera-house in Chinese Traditional Opera;
论戏楼在中国古典戏曲艺术发展中的作用
12.
The catalyzing of western drama to the"modernization/of Chinese classical drama advancement;
西方戏剧对中国古典戏曲“现代化”进程的催化
13.
On Wang Guowei s Contradietion of Aesthetic Values of Chinese Opera--also on the poetic character of Chinese classical opera;
论王国维对中国古典戏曲审美价值观之矛盾——兼论中国古典戏曲的诗性特征
14.
On the Contemporary Research System of Classical Dramaturgy;
论当代古典戏曲理论研究体系的建立及其内涵
15.
Business culture s flourishing of the capital of Song and Jin dynasties and classical drama s maturity;
宋金都城商业文化的高涨与古典戏曲之成熟
16.
The Comparison between Xiaxie Novels and Dramas about Prositute in Classical Literature of China;
中国古典戏曲中“青楼剧”与晚清狭邪小说之比较
17.
Different Ways but the Same Aim:the Tentative Discussion about the Description of Ghosts and Supernatural Beings of Chinese Ancient Drama;
殊途而同归——略论古典戏曲中的鬼神描写
18.
The Lyrical Characteristics on Ancient Chinese Drama-Measured by Traditional Play Theory and Western Play Theory;
传统曲论与诗学参照下的中国古典戏曲的抒情特征