1.
The Research on the Development of Play-within-a-play in Chinese Classical Dramas;
中国古典戏曲中“戏中戏”的发展研究
2.
The Moral of Sishengyuan;
戏中戏的寓意——徐渭《四声猿》别解
3.
Opera, Drama and Traditional Chinese Drama-Second Analysis of Wang Guowei s “Opera” Theory;
戏曲·戏剧·中国民族戏剧——王国维“戏曲”理论的再解读
4.
One of the Easter egg games is the Easter Egg Hunt.
其中一个游戏就是寻彩蛋的游戏。
5.
The Drama courses concentrate on the study of plays in performance.
戏剧课的重点在于在表演中学戏剧。
6.
Preference of Histrionics over Literature in the Aesthetics of Chinese Traditional Theatre;
论“重演轻戏”的中国古典戏曲审美主张
7.
Recreational Literature--Take HAN Yu s “Xi” as the Center;
游戏的文学——以韩愈的“戏”为中心
8.
Jiarong Tibetan Drama-the Living Fossil in the Opera world;
嘉绒藏戏——戏曲百花苑中的活化石
9.
Spread of Five Southern Opera Plays in Modern Local Dramas
宋元五大南戏在近代地方戏中的流传
10.
China Drama's Development Prospect from Drama Development History
从戏曲发展史看中国戏曲的发展前景
11.
adult centre [amusement game centre]
成人中心〔游戏机中心〕
12.
children centre [amusement game centre]
儿童中心〔游戏机中心〕
13.
A Summary of The 3rd Central Academy of Drama International Theatre Showcase
相聚在中戏——中央戏剧学院第三届国际戏剧邀请展综述
14.
Maitrisimit and Chinese Plays--Ancient Uyghur Plays and Chinese Plays;
《弥勒会见记》与中国戏曲——古代维吾尔族戏剧与中国戏剧之刍议
15.
Reconsiderations of the Features of Traditional Opera;
戏曲特征再认识——质疑《中国大百科全书·戏曲·曲艺》卷概论《中国戏曲》
16.
Initial Researches on the Comparison between Chinese Drama and Western Opera;
戏中曲与歌中剧——中国戏曲与西方歌剧比较初探
17.
Opera in the Han Dynasty was not the source of Chinese traditional opera. it only contained some of the elements of traditional opera.
汉代百戏并不是中国戏曲的源头, 它只是有一些戏曲的元素。
18.
"Theater in China is divided, not into tragedy, and comedy, but into military and civil plays."
中国传统戏剧不是分为悲剧和喜剧，而是分为武戏和文戏。