1.
On the Skill of"Imitating the Bird-singing"in the Zaju Opera of the Song and Jin Dynasties;
试论宋金杂剧中的“效百禽鸣”伎艺
2.
figurines of poetic drama of Song, Jin and Yuan Dynasties
宋-金-元杂剧雕砖
3.
Southern Song Dynasty s Zaju is Different from Northern Song s;
北宋杂剧与南宋杂剧是不同的杂剧形式
4.
A Coparative Study on the Zaju Images Decorated in the Tombs of Song and Jin Dynasties in Northern Henan and Southern Shanxi Provinces
豫北和晋南宋金墓杂剧形象的比较研究
5.
On Royal Zaju,Folk Zaju and Bachelor s Zaju of Song Dynasty s;
两宋宫廷杂剧与民间杂剧的对立与互动
6.
The Northern Song Tsa-chu"Mulian Saving His Mother"Is A Ritual Play;
北宋《目连救母》杂剧的表演形态刍议
7.
"However, these sophisticated styles were based upon only a small section of the vast array of popular theatrical forms that developed in China from Song times onwards."
自宋代以来出现过大量的地方戏，杂剧和昆剧这两种高雅的剧种仅
8.
During the Song Dynasty, zaju, or just za, gradually became a special term for a new kind of performance.
到了宋代，"杂剧"逐渐成为-种新的表演形式的专称;
9.
Humor-words are the media among Zen,poems and Zajus;
打诨是参禅、作诗、作杂剧的媒介——兼论宋代的戏剧思想
10.
Some of the music used in the zaju was taken directly from the Song Daqu, and some originated in popular folk tunes.
杂剧的音乐，有些直接取自宋大曲，有些则来源于民间小曲。
11.
The Effect of the Opera in the Song Dynasty upon the Yuanqu Opera--On the Formation of the Chinese Opera;
宋代戏、曲对元杂剧形成的影响——兼论中国戏曲的形成
12.
On Wenzhou Zaju, Xiwen, Traditional Opera in Yongjia and Various Tunes of Nanxi -Four Stages during the Development of Nanxi in the Song and Yuan Dynasties;
温州杂剧·戏文·永嘉戏曲·南戏诸腔——宋元南戏发展史的四个阶段
13.
Comparative Study on Suject of Dou-E Yuan and Jinsuoji
元杂剧《窦娥冤》与明传奇《金锁记》的主题比较
14.
"The Chinese opera which appeared first as the zaju in the Song Dynasty, developed into the yuanqu of the Yuan Dynasty(1271-1368),"
是中国的国戏，它先是作为杂剧出现在宋代，后发展成元代(公元1271-1368年)的元曲
15.
The Historical Remains Of The Modality For The Poetic Drama Dissemination South In Song Dynasty;
宋代杂剧南传形式的文物遗存——四川大足石窟“六师外道谤佛不孝”群像考
16.
calligraphy of Five Dynasties, Song, Liao and Jin Dynasties
五代-宋-辽-金书法
17.
music hall and variety
杂耍剧场和杂耍表演
18.
Its chief symbol in the play is silver, which in the form of money is the“ pale and common drudge” between man and man.
戏剧里的主要象徵是银。银在金钱的地位，有如人与人之间的杂役。