1.
Research & Discovery on Modern Lacquerwork Design--Lacquerwork "Serious Machine" Design Report;
现代漆器设计语言实践与探索——漆器“器系列”设计报告
2.
The Fascination of the Handcraft / Analyzing the Characters of Modern Lacquer
手工的魅力——浅析现代漆器的特征
3.
" China's unique lacquer painting uses a technique centuries old, and is based on China's traditional and modern lacquer crafts. Its material, natural lacquer, was discovered even before man knew what painting was."
中国独特的漆画技法非常古老，并以中国传统和现代漆器工艺为基
4.
Survey on the Identity Evolution of Modern Fuzhou Lacquerers--Also on the Development and Protection of Modern Fuzhou Lacquerware Art;
现代福州漆工身份嬗变问题调查——兼论福州现代漆器工艺发展与保护
5.
The radiation discussion of lacquer on modern design for decoration
传统漆器色彩对现代包装设计的影响
6.
after the Han Dynasty, the variety of lacquer ware increased,
夏代之后，漆器品种渐多，
7.
Aesthetic Orientation of Modern Lacquer Painting;
漆变——现代漆画的物质性与精神性
8.
Lacquer ware reached its heyday in the Han Dynasty and more lacquer ware products emerged.
汉代是漆器的鼎盛时期。漆器的品种又增加了
9.
Exploring the development of the Yi lacquerware from the present situation of lacquerware in Xide County
从喜德县的漆器现状看彝族漆器的发展
10.
The Mutual Effection about Han Dynasty Lacquer Ware and Han Various Arts;
论汉代漆器与同时代艺术的相互影响
11.
About Two Standing Points of Developing Lacquer Painting: Traditional Lacquer Craft and Modern Painting;
论漆画发展的两个立足点:传统漆艺和现代绘画
12.
Bone-and-stone inlaying technique, which is a traditional kind of lacquerware, was created by Zhou Zhu of the Ming Dynasty.
骨石镶嵌工艺，为明代漆器艺人周著所创，是漆器传统品种。
13.
Han Dynasty lacquer ware mainly used black and red colors.
汉代漆器也是以黑红为主色。
14.
A study of a classic work on lacquer in ancient China;
我国古代漆器的经典著作——论《髹饰录》
15.
Marks on Lacquer Articles Produced by the Ming Imperial Workshops and Their Authentication;
明代御用监造漆器的款识及伪款辨识
16.
they reflect the charm of the culture of the Chu Kingdom.
这些精美的漆器体现了楚文化的神韵。
17.
Reason the use of lacquer for colored drawing in terracotta figures of Qin dynasty according to the development of lacquer-ware in the Warring States and Qin dynasty;
从战国和秦代漆器的发展看秦俑彩绘用漆的原因
18.
Chapter 4 is the period of search after for Chinese Modern Lacquer Painting.
第四章、中国现代漆画的探索时期;