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1.
From The Re-write Literary History To The Re-write Musical History;
从“重写文学史”到“重写音乐史
2.
Some Ideas About Rewrite Musical History;
关于“重写音乐史”问题的几点感想
3.
The history of materialism and the research in Chinese musical history;
论中国音乐史研究中的唯物史观与史学研究——兼谈“重写音乐史”问题的提出
4.
Historical Critique and Critical History: A Few Comments on the "Rewriting the History of Music;
历史的批判与批判的历史——由“重写音乐史”引发的几点思考
5.
Perspectives on History and the Broadening of Vision and Scholarly Discipline--My View about the discussion of"Re-Writing(Chinese)Music History"after Reading articles by CHEN Ling-qun&WANG Yu-he;
史观检视、范畴拓展与学科扩张——陈聆群、汪毓和两篇文章读后谈“重写音乐史
6.
And he became the most important musician in the music history.
他成为音乐历史上的最重要的音乐家。
7.
HOn The Chinese Official History Book Annals Of Music And Its Base Of Music Practise
我国正史《乐志》书写的形成与其音乐实践基础
8.
A composition for two voices or instruments.
二重唱;二重奏为两个歌手或乐器写的音乐作品
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Literati Notes of the Qing Dynasty-Important Sources for Chinese Music History Studies;
中国音乐研究的重要史料——清代笔记
10.
Writing Music History:Negotiation between Art and History-Deep Review of Dahlhaus s Grundlagen der Musikgeschichte;
音乐史写作:艺术与历史的调解——对达尔豪斯《音乐史学原理》的深度书评
11.
ook Review of the New Edition of A History of Western Music;
阅读与思考——关于新版格劳特《西方音乐史》及其历史写作
12.
rewrite a piece of music for an instrument or medium other than that originally intended; arrange.
为了不同于原先的意图重写一段音乐;安排。
13.
Comment On Musicology in Contemporary China;
学科发展史的浓墨重彩——《中国当代音乐学》评述
14.
Making Musical History Through Instruments, the Story of Musical Museums in the UK;
乐器中的音乐史:英国音乐博物馆叙事
15.
Historians will write lengthy books. Musicians will preserve it in songs.
历史学家会写出冗长的书。音乐家会用歌曲来保存它。
16.
Re-evaluation of the History Course in the Music Education of Normal Universities--Teaching Reform of the History of Western Music and Appreciation Course;
重新审视高师音乐教育中的史论课——《西方音乐史与欣赏》课程教学改革
17.
(music) the system of five horizontal lines on which the musical notes are written.
(音乐)乐音写在五条水平线上的音乐体系。
18.
New Historicist Concepts:Revelations to the Teaching and Research of Western Music History;
借鉴 扩展 深化 重构——史学新观念对西方音乐史教学研究的启示