1.
The Contribution Of Pi-Huang Tune To Developing The Traditional Chinese Opera;
论皮黄腔在戏曲声腔发展史中的贡献
2.
The Assimilation, Fusion and Development of Chinese Operatic Arts and National Vocal Music in Terms of Kunqu Singing
从昆曲演唱艺术看民族声乐对戏曲声腔艺术的吸收、融合与发展
3.
“Change” or “Not Change” in the Development and Change of the Tune of Operas--Huangmei opera as an example;
戏曲声腔在流变中的“改”与“不改”思辩——以黄梅戏为个案
4.
To Absorb and Learn From the Cream of the Tune of the traditional Opera in the Singing Exercises Of National Vocal Music;
戏曲声腔艺术在民族声乐演唱训练中的吸收与借鉴
5.
Theatre s Regionality and Universality in Late Ming Dynasty;
晚明戏曲的普遍性与地域性——以声腔剧种的流播为研讨中心
6.
The "Negation of Negation" of the Definition of Music form in Chinese Opera Singing;
中国戏曲唱腔曲体界定的“否定之否定”
7.
On“Jiqu and the Variational Style of Banshi”in Chinese Opera Singing;
试论戏曲唱腔的“集曲板式变化体”
8.
On Wenzhou Zaju, Xiwen, Traditional Opera in Yongjia and Various Tunes of Nanxi -Four Stages during the Development of Nanxi in the Song and Yuan Dynasties;
温州杂剧·戏文·永嘉戏曲·南戏诸腔——宋元南戏发展史的四个阶段
9.
Songyang High-pitched Tunes" has been recognized as one of the ancient rare operas.
松阳高腔是古老稀有的戏曲剧种之一。
10.
On Relation between Vocal Music Technique of Drama and Aesthetics;
论戏曲教学中戏曲声乐技巧与审美的关系
11.
Theory on the traditional opera temperament by Shen Chongsui;
沈宠绥的戏曲声律论──江苏古代戏曲家研究之五
12.
Tentative Ideas about Sound Production of Traditional Opera and Folk Art in National Vocal Music Education;
戏曲曲艺艺术用于民族声乐中的设想
13.
Gun tune, banqiang style and self-salvation of traditional Chinese opera--A serial study on the dissemination history of the ancient Chinese opera (5);
滚调、板腔体与戏曲的自我救赎——“中国古代戏曲传播史”系列研究之三
14.
Her voice was teasing.
她的声音带着戏弄的腔调。
15.
Chinese National Singing Drawing on Opera Vocal Skills
民族唱法在戏曲发声技术中吸取精华
16.
Application of contrast-enhanced ultrasonography and time-intensity curve analysis in discrimination of pelvic masses
应用超声造影时强曲线诊断盆腔肿块
17.
An Elementary Study on the Change of Aria in Opera music--The music of Huangmei opera as an example;
戏曲音乐腔形变化的一般性探索——以黄梅戏的音乐为例
18.
Training and Protecting Boy Students Voice during the "Changing Sound Period" in Drama Performance Teaching;
戏曲表演教学中男生“变声期”的声音训练与保护