1.
On the Compilation & Criticism of Lieguozhizhuan
明代小说《列国志传》的创作与批评研究
2.
The Influence of the Western Literary and Art Ideology on Zheng Min in Her Poetic Creation and Criticism
论西方文艺思想对郑敏诗歌创作与批评的影响
3.
On the Creation and Criticism of Hakka Literature: A Concept Backed by Globalization;
客家文学创作与批评:全球化背景下的构想
4.
The Creation and Criticism of Painting about the Peasants:A Case study of the Invitational Exhibition “Peasants·Peasants”;
农民题材绘画的创作与批评——以“农民·农民”藏品暨邀请展为例
5.
Research and Writing--A Criticism of Creation Theories of Both New and Old Scholars who specially study Dreams of Red mansions
考证与创作——对新旧“红学”作家创作论的批评
6.
Construct by Criticizing--How did Ding Ling Manage to Creat in 1941;
批评与建构——1940年丁玲创作理路探寻
7.
On the Phenomenon of Literary Criticism Going against Literary Creation in Yan an;
延安文学批评与文学创作悖逆现象论
8.
On Wen Yi-duo s Criticism of the Goddess and his Creation of The Red Candles;
闻一多《女神》批评与《红烛》创作考论
9.
Writing,Critics and Dissemination--the Functions of writing on Same Topic in Jianan period;
创作、批评与传播——论建安同题共作的三重功能
10.
Echoes with Revolts--Simply Discuss the Relations of the Current Literary Criticism and Literature Creation and its Internal Cause;
呼应与叛离——当前文学批评与创作关系的成因
11.
The Wrong Path and the Wayout: Reflection of Chinese Contemporary Feminine Literature and Criticism;
误区与出路:当代女性文学创作及批评的反思
12.
The Historical Inertia of Literary Creation and the Inactivity of Literary Criticism;
文学创作的历史惯性与文学批评的历史惰性
13.
"Understanding Others and Cultivating One's Own Qualities" and the Critical Ideas in Ancient Literary Writings
“知言养气”与古代文论中的创作批评思想
14.
On Literary Creation of the 19th-Century British Women Writers and Feminism;
19世纪英国女性作家的文学创作与女权主义批评
15.
On the Merging and Splitting of the Literary Criticism and Creation in Writing Mind as Carving Dragon;
《文心雕龙》理论批评与自身创作实践的融合与分裂
16.
Constructing the New Political System of Literature;
政治化文学新体制的营构——建国初期丁玲的文学批评与创作
17.
Integrating the Empathy and Perspectives of Author, Translator and Reader for Text Recreation --A Case Study;
作者、译者和读者的共鸣与视界融合——文本再创造的个案批评
18.
A Tentative Analysis of the Relationship between Wang Zengqis Aesthetics and its Practice;
试论汪曾祺审美理想与创作实践的关系——兼对一种批评方法的思考