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1.
My ears are not attuned to Japanese music yet.
我的耳朵还不习惯听日本音乐
2.
On the Study of Ancient Chinese Music Transimitted to Japan _ _ A Case Study of Naikyobo (Nei Jiao Fang);
中国古代音乐文化东流日本的研究——日本音乐制度(内教坊)的形成与变衍
3.
A History of Japanese Rap Music: Street Dance, Club Music, Pop Market." In Global Noise.
〈日本的饶舌音乐史:街舞、乐部音乐、行音乐〉摘自《全球靡音》。
4.
How Ancient Chinese Music Came to Japan, A Study of the Formation of the Japanese Music Institution Gagakuryo;
中国古代音乐文化东流日本的研究——日本雅乐寮音乐制度的形成
5.
Music Composition and Education in Japan after Meiji Restoration;
明治维新以来日本的音乐创作与音乐教育
6.
a (Japanese) musician who plays the koto.
(日本)弹奏十三弦古筝的音乐家。
7.
Research on the Development of Japanese School Music Education in the Twentieth Century;
二十世纪日本学校音乐教育发展研究
8.
Development and Characteristics of School Music Education in Japan;
日本学校音乐教育发展脉络及其特点
9.
The Setup Traditional Japanese Music Faculty in Tokyo National University of Fine Arts and Music;
日本东京艺术大学邦乐科的设置——日本近代音乐史上的一件大事
10.
The Influence of Japanese Traditional Music on Chiang Wen-yeh s Early Piano Music;
日本传统音乐对江文也早期钢琴音乐创作的影响
11.
My Thoughts Caused by the Current Situation of World Music in Japan
世界音乐的世纪与我们的对策:日本的“世界音乐”现状引发的思考
12.
A professor at a Japanese music college told reporters that a missing musical score composed by Johann Sebastian Bach was found in Japan.
日本一位音乐学院教授对媒体宣称,巴赫梦幻乐谱手稿在日发现.
13.
A Primary Discussion of the influence of the Ya Music And Yan music in the Sui-Tang Period of Our Country to the Japanese and Korean Music Culture;
浅谈我国隋唐时期雅乐及燕乐对日本、朝鲜音乐文化的影响
14.
"Genba: Locating the Power of Popular Music ." Chapter 3 in Japanese Hip-Hop.
现场:找出流行音乐的力量〉,摘自《日本嘻哈》第三章。
15.
On The Similarities and Differences of Buddhism Music Between Japan and Tibet;
窥商日本与西藏佛教传承及佛教音乐的异同
16.
The Inspiration and Status Quo of Japanese Education of Art and Art Professionals;
日本中小学美术与音乐师资培育现状及其启示
17.
Japanese Reception of Western Music in 19~(th) Century Translation with a Book Review
译著《十九世纪日本对西方音乐的接受》及书评
18.
Probing into the Dramatic Issues in the Music of Japanese National Opera--Twilight Heron
日本民族歌剧《夕鹤》中音乐戏剧性问题的探究