1.
PSYCHIC DRAMA--about Cao Yu and Eugene O Neill s tragic creation;
灵魂的戏剧——论曹禺与奥尼尔的悲剧创作
2.
Drama of Soul: Studies on O Neill s Expressionistic Techniques;
展示灵魂的戏剧：论奥尼尔戏剧中的表现主义手法
3.
The Soul of Drama --the Effective Use of Expressionism in Emperor Jones;
灵魂的戏剧——谈表现主义手法在《琼斯皇》中的运用
4.
Expressionistic Techniques in Metaphase Plays of Eugene O Neill;
展示灵魂的戏剧（论奥尼尔中期剧作的表现主义手法）
5.
For Ren Ming, character is the soul of a play while performance is in the limelight of the stage.
任鸣认为人物是戏剧的灵魂，表演是舞台的核心。
6.
Sign Without Soul:Loss of Traditional Chinese Opera from the Perspective of Shaoxing Opera;
没有灵魂的符号:“诗落”的中国传统戏曲——以越剧为话题的戏曲诗学观
7.
The black ghost in tne theatre--The story about the ghost in the Tragedy of Hamlet and the Opera of Mudanting;
戏剧中的黑暗精灵——论《哈姆雷特》与《牡丹亭》的鬼魂戏
8.
The Long Journey of Regain the Soul;
重获灵魂的漫长旅程——试论奥尼尔戏剧的古希腊悲剧精神
9.
Studying Arthur Miller s Creative Soul from"Death of the Salesman": Family Theme;
从《推销员之死》看阿瑟·密勒戏剧创作的灵魂:家庭主题
10.
"For Ren Ming, character is the soul of a play while performance is in the limelight of the stage. Sticking to these two points, the play will be enjoyable."
任鸣认为人物是戏剧的灵魂,表演是舞台的核心。抓住这两点,戏出来就会好看。
11.
Liu Fang enters the world of the guzheng so very profoundly as to play her music as if emerging from the earth itself."
刘芳的音乐的确是戏曲灵魂.
12.
"O'Neill's plays were inspired by Greek tragedy.
“奥尼尔创作戏剧的灵感源自希腊悲剧。
13.
Cultural Traditions of Ghost-or-Spirit Image in CHinese Traditional:Opera and Western Drama;
中国戏曲与西方戏剧鬼魂形象的文化渊源
14.
A Miserable Reflection of Soul: On Eugene O’Neill’s Tragic Thought
灵魂之痛——浅评尤金·奥尼尔的悲剧思想
15.
Precious Jade of Tongling :Cao -yu,the Great Playwright s Affections as an Ordinary Person;
“通灵宝玉”:戏剧家曹禺的凡人情怀
16.
On Female Independent Consciousness of BaiWei s Drama--About Baiwei and the Dramas;
不屈的灵魂 无声的呐喊——浅谈白薇及其剧作
17.
Eternal straits of mankind s soul--the new research of Macbeth s tragic character;
人类灵魂的永恒困境——麦克白的悲剧性新探
18.
Tragic Images in Works by Lao She;
深刻、凝重的灵魂拷问——论老舍笔下的悲剧形象