1.
Theory Category and Thought Line in Modern Culture Poems of Female;
现代女性文化诗学的范畴及思想理路
2.
Construction of Hunan Women s Literature and Chinese Women s Literature--A Cultural Perspective of Hunan Modern Women s Literature;
湖南女性文学与中国女性文化建设——现代湖南女性文学的文化透视
3.
Modernity of Aesthetics from Cultural Perspective: A case Study on Wen Yiduo Poetics;
“文化审美现代性”:闻一多诗学个案分析
4.
The Poetic Thoughts of Modern Women --On the wise structure of poems by modern women poets;
现代女性的诗之思——论现代女诗人诗歌文本的智性建构
5.
Change of the Female Role and Liberation of Chinese Women;
女性角色演变与中国妇女解放——中国现代女性文学的文化透视
6.
On the Female Folk Custom and Cultural Thinking in Modern Literature
现代文学中关于女性民俗及其文化反思
7.
Look at Female Face Sticker Culture in the Tang Dynasty from Tang Poems and Verses;
从唐代诗词中看唐代女性脸部贴饰文化
8.
Women s Prose in the Structure of Modern Culture;
现代文化建构中的中国当代女性散文
9.
Post-modern Context and Professional Women--Concurrently probing into the reflection of career women in literature;
后现代语境中的职业女性与女性文学
10.
Cultural and Social Construction of Feminism Anthropology and Its Post-Modern Research;
女性人类学的文化与社会建构及其后现代研究
11.
Literary Construction and Meaning Generation in the Process of Cultural Integration:On the Poetic Tradition of Modern Novels;
文化整合中的文学建构与意义生成——论现代小说的“诗性传统”
12.
The Poetic Reflections on Cultural Dilemma--The Review of YE Wei-Lian's Chinese Modern Literature Study
文化困境中的诗性省思——叶维廉的中国现代文学研究
13.
Imagination:A Device Revealing Feminine Beauty in Ancient Poems;
论中国古代诗文中女性美的表现手法——想象
14.
From Historical Poetics to Cultural Poetics:The Cultural Turn of Postmodern History;
从历史诗学到文化诗学:后现代历史理论的文化论转向
15.
From Literature Quality to Cultural Quality: Transformation of the Theme of Contemporary Poetics;
从文学性到文化性:当代诗学的题型转换
16.
JiuYe School’s modern poetic aesthetics in Chinese cultural context;
中国文化语境中的现代诗美——论“九叶诗派”的现代性
17.
Research on Translation Theory of Chinese Ancient Female Poetry from the Perspectives of Images and Semantic and Cultural Construction;
从“构象”及“词意与文化构建”探讨中国古代女性诗人诗词翻译
18.
Cultural Fusion:Ideal Schema of Modern Chinese Poetics in 1940 s;
文化融合:1940年代中国现代主义诗学的理想图式