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1.
On the Western Aesthetic Trilogy Concerning Artistic Nature(Part Ⅰ)--Artistic Nature:From the Natural Noumenon Aesthetics to Epitemologic Aesthetics;
西方美学关于艺术本质的三部曲(上)——艺术本质论:从自然本体论美学到认识论美学
2.
“Human” in “Nature Dialectics”:the Human Ontology of Ecological Ethics;
《自然辩证法》的“人”:生态伦理学的人学本体论
3.
The Hominine Essence of Nature: The Important Theoretical Base of Eco-Aesthetics of Humanism;
“自然界的人的本质”:人本生态美学的重要理论基石
4.
Beauty:From "Nature" Back to "Urphnomen"--An Elucidation of Goethe's Aesthetic Views
美,从自然溯向“本原”——歌德美学思想阐微
5.
The branch of metaphysics that deals with the nature of being.
本体论对自然存在的研究,属于形而上学理论的分支
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From Determinism to Naturalism: American Naturalistic Writing;
从决定论到自然主义:美国自然主义文学创作
7.
Nature-Essence of the Aesthetic Thought of Si Kongtu about Poems;
自然——司空图诗歌美学思想的本质
8.
From "Freedom" to "Ideal"--On Chen Wangheng s Aesthetics of Ideal Noumenon;
从“自由的形式”到“境界”——试论陈望衡的境界本体论美学的建构
9.
Beauty of Ecological Nature and the Realm of Having and Having-not--A Co-discussion of Beauty of Nature from the Angle of Ecologic al Aesthetics;
生态自然美及其有无之境——兼论生态美学视野中的自然美
10.
Kant's theories about art and genius are the natural extension of his subjectivity thought in the field of art creation.
艺术与天才论是康德主体性美学思想在艺术创造领域的自然延伸。
11.
Full within Macrocosm,Harmony in the Vast--The Harmonious Nature-view in Chinese Philosophy by Fang Dongmei
整体圆融 广大和谐——方东美论中国哲学自然观的和谐精神
12.
Reentry into Visionary Field of Marx s Natural Theory;
再度走进马克思的自然理论视域——论马克思自然理论的本体论重建
13.
The Same Form of the Ontology of Buddhism and Aesthetics
二元合一:佛学本体论与美学本体论的共相
14.
Life aesthetics and freedom question surmounted inevitability ──on the fourth controvery between life aesthetics and practice aesthetics;
生命美学与超越必然的自由问题──四论生命美学与实践美学的论争
15.
The Role of Aesthetic Method on the Creation of Natural Sciences;
论审美方法在自然科学创造中的作用
16.
On the Naturalism Tendency in Euro-American Modernism Linterature;
论欧美现代派文学中的自然主义倾向
17.
Thinking on Relationship Between Ontology and Science (Natural philosophy)in Ancient Greece;
对古希腊本体论产生与自然科学发展之关系的思考
18.
In the theories of Chinese ancient calligraphy esthetics, there are two basic systems: physiography and personalization.
在中国古代书法审美论中 ,有两大基本体系 ,一是自然物象说 ,一是人格象征论。