1.
Opera, Drama and Traditional Chinese Drama-Second Analysis of Wang Guowei s “Opera” Theory;
戏曲·戏剧·中国民族戏剧——王国维“戏曲”理论的再解读
2.
Drama Genes and National Tradition in China's Film Art
中国电影艺术的戏剧基因与民族传统
3.
Analysese of the Applications and Performances of the XiQu Rhythm on Chinese National Opera;
浅析中国民族歌剧中戏曲板式的运用及演唱
4.
Nationality and Modernity of Chinese Drama--Discussing with Mr.DONG Jian;
中国戏剧的民族性和现代性——与董健先生商榷
5.
On the Aesthetic Characteristic of the Theory of Drama-opera Integration of Chinese National Opera;
论中国民族歌剧“戏歌综合”理论的美学特征
6.
Chinese Theatre,Confucianism,and Nationalism:Amateur Chinese Opera Tradition in Singapore
中国戏剧、儒家思想及民族主义:新加坡的爱美戏曲表演传统
7.
Maitrisimit and Chinese Plays--Ancient Uyghur Plays and Chinese Plays;
《弥勒会见记》与中国戏曲——古代维吾尔族戏剧与中国戏剧之刍议
8.
These measures will help to attract and assemble the best talent in opera and drama so that these facilities will all function as cultural windows displaying long-standing Chinese folk art.
以凝聚戏剧人才、荟萃戏剧精华，使之成为展演中国悠久民族艺术的文化窗口。
9.
Probing into the Dramatic Issues in the Music of Japanese National Opera--Twilight Heron
日本民族歌剧《夕鹤》中音乐戏剧性问题的探究
10.
Beijing opera is the quintessence of Chinese culture.
京剧是中华民族的国粹。
11.
The Study on the Writers,Actors,Dramas and National Characters of Hui People in the Miscellaneous Drama of the Yuan Dynasty;
元杂剧中的回回作家、演员、戏曲及其民族性
12.
The Integration of “Life-like Description” and “Meaning Description” in Chinese and Western Drama--On the Nationalization of the Modern Drama;
中西戏剧“写实”与“写意”的融合——论《风雪夜归人》兼看话剧的民族化进程
13.
Now, she is deputy to Shanghai People's Congress, director of Chinese Dramatists Society and a member of Shanghai Dramatists Society.
现为上海市人民代表、中国戏剧家协会理事、上海戏剧家协会会员。
14.
Creating National Theater to Represent National Heart and Soul--Criticism of Yu Shangyuan s National Theater Theory;
创建表现民族精神和民族灵魂的中国剧——余上沅国剧理论评析
15.
National Spirit in Tian Han s Dramatic Works in Guilin during the War of Resistance against Japanese Aggression;
“甘与吾民共死生”——田汉旅桂时期戏剧活动中的民族精神
16.
A Brief Account to the Influence of Western Operas on Modern Chinese Operas;
浅论西洋歌剧对中国现代民族歌剧的影响
17.
The Statement of the Nationalization Process of the Chinese Opera Creation in 20th Century;
论20世纪中国歌剧创作的民族化进程
18.
KNOWING THE NATIONAL FEATURES OF CHINESE CLASSICAL TRAGEDIES FORM AN UNJUST VERDICT ON DOU E;
从《窦娥冤》看中国古典悲剧的民族特征