1.
On the Linkage of Lexical Items with the Light Tone Included in the V ocabulary Lists in Both the New and Old Syllabi;
《新纲》与《旧纲》词表轻声词条的衔接问题
2.
Facing up to the phenomenon of slight and short tones;Reexamining and revising words with slight and short tones;
正视轻声衰颓现象 重新审订轻声词
3.
The Functional Motivations of the Neutralization of the Disyllabl Neutral-tone Words
现代汉语双音节轻声词的轻声化功能动因研究
4.
The Study on Word Stress Patterns of Disyllable Non-neutral Words in Mandarin;
普通话双音节非轻声词的轻重格式研究
5.
On the Words with Light Tone Distinguishing Speech-parts and Meanings in the Contemporary Chinese Dictionary
《现代汉语词典》有区别词性词义作用的轻声词初探
6.
Analysis of neutral tone in the fifth edition of Contemporary Chinese Dictionary;
《现代汉语词典》第5版轻声处理评析
7.
The Induced Mechanism of Weakenig Process of Disyllabic Words in Putonghua;
普通话双音节词语轻声化的诱发机制
8.
The suffix Bisyllable neutral-tone Words in Second Language Acquistion
二语教学中的附加后缀双音节轻声词
9.
7) problematic entries, including ones that are not necessary, ones that are immature, and places that contain imbalance in entry selection.
7)体例问题 ,包括有些词条可有可无 ,有些词条不成熟 ,倚轻倚重等
10.
A Comparative Study on the Words with the Neutral Tone in Beijing and Tianjin Dialects;
天津话与北京话轻声词的差异及其原因分析
11.
An Analysis of the Deviation of Neutral Tone of Disyllabic Words and its Acquisition by Japanese Students;
日本学生双音节词轻声偏误及习得分析
12.
English Stress and Chinese "Qingsheng" -A Contrastive Analysis of Functions on Lexical Level;
英语重音与汉语轻声——词汇层次上的功能比较
13.
Recognition of Pronunciation of Light Tone Charactersin Putonghua Proficiency Test;
论普通话水平测试中轻声词语读音的判定
14.
"Frank, Frank, where are you?" she said in a stage whisper.
“弗兰克，弗兰克，你在哪里？”她用念台词的声音轻轻地说。
15.
His eyes narrowed and his mouth widened slightly with the ghost of a superior "Hm!"
他眼睛眯成一条缝，嘴巴微微咧开，不以为然地轻轻“哼”了一声。
16.
The Selective Restrictions and the Expressive Functions of Atonic Syllable Er (儿);
轻声音节“儿”的入位条件限制与表达功能
17.
There are four types of grammatical tone-variations: light tone-variation, soft tone-variation, narrow tone-variation and pronoun tone-variation.
语法变调主要包括：轻声化、轻音化、仄声支配式首字变调和代词所有格变调。
18.
He knows when to move upstage, when to modulate his voice, and when to throw away a line.
他懂得什么时候该移向舞台后方，什么时候该调整声调，以及什么时候该轻轻带过一句台词。