1.
Originated from rebellion and resulted in Creation;
缘自反叛 归于创新——傅山美学思想之精粹及其对当代艺术创新的启迪
2.
On the esthetic theory and calligraphy art of Fu Shan, enlightening ideologist of 17th century
论17世纪启蒙思想家傅山的艺术审美理论及书法艺术
3.
On Eearly Reform Idle of Sun Zhongshan from Submit to Prime Minster Li;
从《上李傅相书》看孙中山早期改良思想
4.
On the Aesthetics of Fou Ts'ong's Performance and the Original of Music Works
傅聪钢琴表演美学思想并及音乐作品原作问题研究
5.
On LuXun s Travel Aesthetic Ideology in Thinking·Landscape·Figures;
略论鲁迅译著《思想·山水·人物》中的旅游美学思想
6.
Life Elsewhere--Aesthetics Thoughts of Hongren Landscape Painting;
生活在别处——弘仁山水画美学思想略论
7.
On Fu Lei s Artistic Subject and Aesthetic Presentation;
试论傅雷的艺术主体思想——兼谈艺术的审美表现
8.
The Academic Thoughts of Fu Ssu-nien and the Early Research of the Institute of History and Philology
傅斯年学术思想与史语所初期研究工作
9.
Seeking for Truth or Utility? --Comparison on Academic Thoughts between Fu Ssu-nien & Qian Mu;
求真乎?经世乎?——傅斯年与钱穆学术思想之比较
10.
The Creation and Development of Chinese Landscape Painting Esthetics;
中国山水画意境美学思想的创构与演进
11.
The Aesthetic Thought of the Intergration of Time and Space;
《林泉高致》中山水画时空结合的美学思想
12.
A Discussion on Wang Bi s Metaphysics and Weijin Aesthetic Fashion of Landscape;
论王弼的玄学思想对魏晋山水审美风尚的影响
13.
Comparison Between the Aesthetic Ideas of Chinese and Western Landscape Painting;
中国“山水画”与西方“风景画”美学思想之比较
14.
Between Scientism and Antiquarianism--A New Interpretation of Fu Sinian’s "No Documents, No History";
科学史学乎?“科学古学”乎?——傅斯年“史学便是史料学”之思想渊源新探
15.
Pondering over the Classical Literature Study during the 20~(th) Century ──A Brief Account on the Academic Thinking of Fu Xuan-cong
20世纪古典文学研究的沉思──傅璇琮先生学术思想论略
16.
esthetic thoughts of K.Marx and F.Engels
马克思恩格斯美学思想
17.
The Aesthetic Concept of Fu Shan’s Calligraphy;
从书——道关系看傅山的书法审美理念
18.
A Discussion on the Aesthetic Thought of Zhuang Zi;
形美、德美、道美——浅谈庄子美学思想