1.
About the Suppostive Artistic Feature in Aitmatov s Works;
论艾特玛托夫小说的假定性艺术特征
2.
About the Ecological-Concerning Thoughts of Etmator s "White Ship;
论艾特玛托夫《白轮船》的生态忧患意识
3.
On the Exertion of Myth and Fame in Antmatob s Novels;
论艾特玛托夫小说中神话传说的运用
4.
On Aytmatov s Religious View and Cultural Use;
试论艾特玛托夫的宗教观与文化功用
5.
The Longing for Green Life: Talking from the Death in At Matov s Guillotine;
绿色的期待——从艾特玛托夫《断头台》中的死亡谈起
6.
Double Cultural Connotations of Altmutov s Novels --Viewing from his White Ship;
从《白轮船》看艾特玛托夫创作的双重文化内涵
7.
Etmatov′s Guillotine and the Russian Orthodox Culture;
艾特玛托夫的《断头台》与俄国东正教文化
8.
On Influence of Folk Culture to the Construction of Aitmatov s Myth;
论民俗文化对艾特玛托夫神话构建的影响
9.
On Aytmatovs Philosophical Thoughts about the Relationship Between Human Beings and Nature;
论艾特玛托夫对人和自然关系的哲理思考
10.
The Disussion on Aitmatov's Ecological Tragedy Awareness and Save Consciousness
试论艾特玛托夫的生态悲剧意识与拯救意识
11.
The Singer of Grassland--The Romantic Style of Zhang Chengzhi's and Aitmatov's Works
草原的歌者——张承志与艾特玛托夫作品的浪漫主义特质
12.
Why Russian-Soviet Literature Transparent Us:Speaking From Atmotov In China;
俄苏文学为什么比我们走得更远——从《艾特玛托夫在中国》谈起
13.
Transcendence from the Humanism--A Study of Tragic Consciousness about Altmatov s Novel;
人道主义的拓宽与超越——艾特玛托夫小说的悲剧意蕴探微
14.
Creation and Myth of Atmatof--Exploration of Reality by Myth in One day is One Hundred Years;
艾特玛托夫的创作与神话传说——《一日长于百年》中神话对现实的启示
15.
The Redeeming Of Humanity--The analysis of Ajtmatow's Plaha from the perspective of eschatology
人性的救赎——从末世论角度解读艾特玛托夫的长篇小说《断头台》
16.
The Sympathetic Implication in Contrasting and Reflection--Interpreting "One Day Is Longer Than One Hundred Years" and "Guillotine";
对照与反观中的忧患意识——解读艾特玛托夫的小说《一日长于百年》与《断头台》
17.
Analysis of the Religious Views of Expatriates of Post-coIonialism--A ComParative Study on the Sense of Religion and Cultural Function of Aitmatov and Rushdie;
后殖民时代换语作家宗教观解析——艾特玛托夫与拉什迪宗教意识及文化功用比较研究
18.
Dilemma: Conversion of Religion Belief or Transcendence? -Pilot Study in Zhang Chengzhi and Aytematov s Religious Idea and Cultural Function;
敢问路在何方:皈依还是超越?——试论张承志与艾特玛托夫的宗教观及其文化功用