说明:双击或选中下面任意单词,将显示该词的音标、读音、翻译等;选中中文或多个词,将显示翻译。
您的位置:首页 -> 句库 -> 宋代诗学批评
1.
The Alteration and Characteristic of Criticism on Du Fu s Poems in Song Dynasty;
宋代诗学批评中杜甫论的历史嬗变及其特征
2.
Studies of Tang Poetry in Literary Criticisms of Northern Song Dynasty;
北宋几种文学批评形式中的唐诗研究
3.
On Consciousness Separation in Ci Poetry Criticism during Northern Song Dynasty;
试论北宋词学批评中的诗词分体意识
4.
On Criticism about Poems in History on Original Poem Written by Ye Xie;
叶燮《原诗》批评论中对历代诗学诗歌的批评
5.
A Tentative Study on the Literary Criticism of Song Shenggui;
学理与诗意的闪光融合——试论宋生贵的文艺批评
6.
Sequent Comments on the Literary Thoughts of YE Shi;
叶适文学思想续论——兼谈《宋诗选注》对叶适的批评
7.
A Frontier Poetics Moving Towards Central Position──A Critique of Contemporary Feminist Criticism;
走向中心的边缘诗学——当代女权主义批评之批评
8.
Daily life aesthetics: reading and criticism of the contemporary literature;
日常生活诗学:当代文学的阅读与批评
9.
The Change and Character of the Controversy about Su Shi s Ci-poems in Song Dynasty s Potical Criticism;
宋代词学批评中苏轼论的历史嬗变及其特征
10.
The controversy on poems of Tang Dynasty and Song Dynasty is a long-lasting issue till the end of the20 th century.
唐宋诗之争"是中国文学史与中国文学批评史上一大公案。
11.
Poetry and the Development of the Literary Criticism of the Zhou Dynasty;
《诗经》与周代文学批评思想的发展
12.
On Poetic-speech Mode in Literary Criticism of Ancient China;
论中国古代文学批评的诗意言说方式
13.
YUAN Ke-jia:Meticulous Constructor of a Modernized Theory of New Poetry;
袁可嘉:精心构建新诗现代化的理论——中国现代诗学批评家评述之七
14.
Modern Poetics: Its Establishment and Humanistic Character- A Review of Pan Songde s “A History of Theoretical Criticism on China s Modern New Poetry”;
现代诗学创建的人文品格——评潘颂德《中国现代新诗理论批评史》
15.
Acceptable Text Norm and Aesthetic Perspective of Modern Song Poetry of "Song Poetry Faction"
近代“宋诗派”宋诗接受的范型文本与美学视角
16.
Example s Comparison between Historical and Poetic Criticism from the Great Historical Record s Figures of Song Dynasty;
宋代《史记》人物史评与诗评之比较举隅
17.
Liang Zongdai:Explorer of the Theory on Pure Poetry;
梁宗岱:纯诗理论的探求者——现代诗学批评家评述之一
18.
Well Versed--The Inosculation between Du Fu s Poem Style and Song Dynasty Poetry;
老成:杜诗风格与宋代诗学的“视界融合”